I really shouldn’t be making a habit of posting these 2 months after the previous year has finished…
Despite my best efforts to really, truly, get back into the 1 game per week rhythm I still managed to only play 43 games last year (1 up from last year). My list of games I didn’t get around to is about as long as it was the years previous although, to be honest, most of them were missed deliberately. Unlike like the last few years I really don’t have a problem with crowning this year’s winner, even with 4 titles vying for the top spot. However it wasn’t always so as I went back and forth over which title should take the crown for a good part of last year. In retrospect now, and by looking at the scores it’s quite clear that there’s only one title it could be.
For reference here’s the list of every game I played last year in chronological order:
It is my not-so-guilty pleasure to assign last year’s worst game to none other than Space Hulk: Deathwing, my second game for last year. I went into that game with no real expectations; I simply hoped for another semi-decent Warhammer 40K game. What I got instead was a slow moving borefest that made the ultimate 40K fantasy, the one of being a Space Marine, a tiresome affair. I’m definitely not alone in thinking this either with 43% of owners simply not playing it and, for those who do, half of them have played less than 2 hours. Coming in at a very close second was STRAFE which proved that nostalgia can only take you so far, especially with “old school” 3D graphics. Thankfully both these titles have been overshadowed by the numerous better games I played last year and there’s a couple that fit into the honourable mention category.
This is likely going to land me in some very hot water but Star Wars Battlefront 2, yes that one, gets a mention as since it’s released I’ve poured some 100+ hours into the multiplayer. A small chunk of that came during the review and I was almost set to put it down until the holiday period came along. It was then that the Christmas Noobs flooded the servers, providing an incredible hunting ground for those like me who had unlocked some decent star cards. That then grew into a love for the base game and I’ve since unlocked all heros and topped the servers dozens of times over. To be sure the issues around microtransactions and progression tied to loot boxes still exist however, now that I’ve basically got everything I need, it’s a non-issue for me. Funnily enough had I shelled out cash to get to this point earlier I probably wouldn’t have enjoyed it as much. Still it remains one of my guilty pleasures, much like Call of Duty used to be.
I also want to mention Pyre as it’s a rare example of a company taking a massive risk when it comes to changing what they do. Whilst I didn’t score it as highly as Transistor it did stick in my mind as one of last year’s more unique experiences. For Supergiant games it signals something of a turning point, one which frees them from the shackles they so lovingly crafted for themselves. Their future is incredibly bright and I can not wait to see what comes from them next.
But enough beating around the bush, my Game of the Year for 2017 is:
Zelda: Breath of the Wild was destined for great things right from the beginning. A new Zelda game on a new Nintendo console is basically guaranteed to be a hit but the changes to the core Zelda formula could have swung either way. Thankfully what we got was an absolutely amazing game, one that managed to grow the franchise beyond the constraints that came from the decades of titles that preceded it. The fact that even after some 30+ hours the game could still surprise me says a lot about the game as there aren’t many that can remain new and fresh for that long. There are some small chinks in its near-perfect armour however, namely the weapon durability system which made some of the game’s more interesting and unique finds less useful and enjoyable than they could have been. Even that small flaw melts away in the face of the grander experience that the game puts forward. Honestly whilst my Nintendo Switch may sit not 3 feet away from me, still unused since I played Zelda last, I still consider it money well spent simply for the purpose of playing Zelda: Breath of the Wild.
Coming in at a very close second was Horizon: Zero Dawn. Given that I played it immediately after Zelda it could have easily have been overshadowed but it managed to shine extremely brightly. For a long time after I finished it I was tossing up which of them was the better of the two games. On a raw score perspective Zelda wins, so you’d think that would seal it, but Horizon is a completely new IP and doing something new like that (and doing well at it) could be argued is the greater achievement. In the end Horizon had a few more black marks against in terms of overall experience but make no mistake, it’s still one of last year’s top tier games.
In third place is Wolfenstein II: The New Colossus, which continued the series’ trademark classic shooter experience in a modern context. It also gets extra points for presenting the most captivating story experience in the series to date. Some of the mistakes of the past still haunt it but, at least for this old reviewer, it proved itself to be the best game in the series to date.
If my list of games to review is anything to go by 2018 is shaping up to be quite the year. Many of the developers who I’ve previously given Game of the Year to are releasing new titles this year and I’m eager to see how they all stack up.
We’re now at the point where Supergiant Games doesn’t need much of an introduction. Their breakout hit Bastion won many people over with its unique visual style and expertly delivered running commentary. Transistor, to me at least, felt like the ultimate refinement of what a Bastion-esque game would look like and for that it took my Game of the Year for 2014. Like many I had expected Supergiant to once again return to their isometric roots with their next release but that was not to be. Instead we were given Pyre, a kind of hybrid visual novel/sports game that, apart from its visuals, shares little with its developer’s previous games. It’s a massive risk, leaving behind what made you great, but the risk has paid off as Pyre is another exceptional (albeit far from perfect) title from Supergiant Games.
For your crimes against the great Commonwealth empire you were cast into the Downside; a horrid, desolate place where no one expects you to survive. As you lay there, where death seemed certain, you were saved by a trio travelling past in a large black wagon. They soon discover the reason you were cast down: you are a Reader, a skill that’s forbidden in the Commonwealth. However in the Downside this skill makes you valuable, able to discern meaning from text and various other things that can be “read”. They hand you a book, one which in it contains the means by which one may return to the Commonwealth. The path is not easy however and you’ll all need to work together as one if you are ever to make it.
Pyre’s visuals are in Supergiant’s trademark style, combining hand drawn elements with cel-shaded 3D models to give you the feeling of playing in a living cartoon. It’s still in isometric perspective too however there’s no real game play reason for this, done more for style than anything else. The maturity of Supergiant’s tools and processes using their custom MonoGame engine is quite evident now showing that there’s just as much time to developing it as the game itself. If pressed I’d say that they were only a small step behind Moon Studio’s (of Ori and the Blind Forest fame) in terms of producing this kind of visual aesthetic. Suffice to say Pyre’s visuals are beautiful, bursting with colour and are sure to keep visual boredom at bay.
Pyre’s mechanics are a complete step away from it’s predecessor’s isometric, hack and slash game play. Instead you command a triumvirate of characters who’s job it is to grab a celestial orb and dunk it into your opponent’s pyre. That does an amount of damage depending on which character does the dunking and then the round starts again. The first one to have their pyre fall to 0 loses. Each of the characters have different attributes, skills and talents that make them better/worse to use depending on the kinds of opponents you face. After each rite those who participated in it will gain experience and those on the bench will gain “inspiration” (basically rested XP). Additionally each character can hold a single talisman which can bestow on them a number of other abilities or buffs. Whilst the combat didn’t feel as deep as Transistor’s there’s still a lot to uncover with many viable builds.
Initially your pool of heroes is relatively small and so rites will feel pretty similar for the first few hours. As your party expands your options open up and things start to get a little more interesting although if you’re like me you’ll tend towards the combo that works best for you. You can probably continue to run that one combo for about half the game before you’ll have to make some tough decisions about how you want the game to progress from then on out. When I realised this I was a little annoyed that I was being forced away from the combo that had worked so well for me but after a little while I started to like the other available characters a lot more. Sure they weren’t as simple in their use but there were some match ups with them where they were outright broken. Indeed I think a couple of the character’s skills probably need a bit more tweaking to be a little more fair, as much as that means for a single player game.
Pamitha, for instance, can get a talisman that allows her to do extra damage and not be banished when dousing a pyre, if she’s flying when she does it. Combining this with the other flight based talents she has you can essentially always have your entire team of 3 up. If those other 2 characters happen to be the more defensively inclined ones you can pretty much guaranteed that they can never get to your pyre and you can always attack theirs. Of course if you’re finding it all a bit too easy you can ratchet up the difficulty considerably using the titan stars although the risk vs reward in that situation isn’t as great as it’s made out to be. I personally only ever used them once and was still able to max out most of the characters without too much hassle so I wouldn’t worry about not using them too much.
The combat certainly starts to lose some puff around the halfway mark, even if you’ve been using different combos. It starts to pick up again as you acquire a few more levels and sol (the in-game currency) which allows you a bit more freedom to experiment but the core mechanic never really shifts. Transistor by comparison felt a lot more rewarding when experimenting, especially when you hit on a combo that just did ridiculous things. For what its worth though when Pyre starts to lag mechanically its plot starts to kick which was great since I had struggled to engage with it during the first 4 hours or so.
Now I’m not sure if Pyre was set up like this intentionally but it has a lot of the trappings I’ve come to expect from mobile games. Each of the various sections of the game can be completed in short bursts, perhaps anywhere between 5 and 15 minutes. Early on this makes it pretty easy to put the game down as you feel like you’ve gotten somewhere and there’s little impetus to keep going. Since Pyre isn’t available on mobile yet I can only assume this is an unintentional side effect of the game’s design more than anything else.
The vast majority of the game’s story progression comes in visual novel format, walls of text flying by accompanied by various noises and unintelligible words to set the mood. This time around you won’t have the signature Logan Cunningham narration however he makes several appearances in the form of various characters in Pyre. The voice acting and backing soundtrack are as amazing as ever demonstrating once again that Supergiant Games knows how to put all these elements together in a cohesive whole. Of course if the story wasn’t any good this would be all for naught but, I’m glad to say, it is well worth the time.
It took me a while to warm to Pyre’s story and I think that’s due to a few factors. For starters I’m not the biggest fan of the visual novel format although I did like Supergiant’s take on the style. The game also doesn’t settle into its own groove until about 4 or so hours in, with new mechanics still being thrown at you up until that point. Once you get past that point however you get a bit more breathing room to focus on the various story elements and that’s when it starts to grab you. Whilst it didn’t reach the same emotional heights that I recall Transistor hitting it still managed to tug at my heartstrings at times. From what I’ve read the story has a near infinite amount of variations built into it so it’s likely your experience will vastly differ from mine depending on what choices you make and when you make them. No matter what path you take though the theme of redemption shines through and is well explored through all the various character’s story arcs.
Pyre’s deviation away from the formula that made its developer great was a risk but one that has paid off for Supergiant games. The trademark visual style continues to improve; the maturity of Supergiant’s tool chain and processes continuing to bear some exquisitely beautiful fruit. The core game mechanics are unique and manages to retain some of the more interesting aspects from previous titles. The story’s narrative around redemption takes some time to get going but once it does it sucks you right in, pushing you to do just one more rite before you put it down for the night. Before then Pyre feels a lot more like a pick up/put down kind of game but it is relatively quick to redeem itself. Pyre is most certainly a game that will delight fans of the developer but I’m sure it will have wider appeal among those who enjoy games from those who are looking to experiment a bit more with the medium.
Pyre is available on PC and PlayStation 4 right now for $19.99. Game was played on the PC with a total of 10 hours play time and 58% of the achievements unlocked.