My wife was absolutely enamored with Until Dawn. After I completed my initial playthrough I did another with her as she’s a massive fan of the horror genre, especially the cheesier, B-grade ones that Until Dawn emulated. After that playthrough she was hooked and spent a good long time replaying the game multiple times over, trying to see every variation that she could. So when I saw that Supermassive games was releasing a series of shorter titles called The Dark Pictures Anthology I was intrigued and, given that we were housebound due to the bushfires blanketing Canberra with smoke, I thought it’d be a good time for us to play through the first instalment: Man of Medan. Unfortunately this particular title doesn’t feel up to the same level as Until Dawn, feeling decidedly middle of the road.
There were rumours of a downed WWII airplane that hadn’t yet been catalogued out in the South Pacific Ocean. Keen to explore a wreck that hadn’t yet been seen by other humans a group of 4 young explorers, along with the captain of the rented vessel, set out to find it based on some information from one of their friends. However whilst they’re out at sea they catch the ire of some local ne’er do wells and quickly find themselves at their mercy. Soon after that happens they get hit by a storm and find themselves butting up against a ghost ship which, for some inexplicable reason, the pirates decide to take shelter in. So begins their journey into this lost vessel and the horrors that lie within.
Man of Medan retains much of the cinematic level quality that Until Dawn had although now, compared to 3 years ago, the graphics aren’t as cutting edge as they once were. This game’s aesthetic is much, much darker than its predecessor as well so a good lot of the detail is hidden from view most of the time. Thankfully though the performance issues have been addressed so even chumps like me using an original PS4 won’t be left suffering with low frame rates. Given that this game is on Unreal unlike the previous one (which was on Decima) there’s definitely room for improvement here and who knows, maybe the whole thing looks amazing on PC.
This is still very much an interactive fiction game with it’s mostly linear levels, countless items strewn around for you to interact with and the action scenes peppered with quick time events. At the basic level not much has changed with Man of Medan as most of the mechanics have been renamed rather than reworked. The biggest change comes in the form of the Curator, a fourth-wall breaking character who speaks to you about the story that’s unfolding and the choices that you’re making within it. He will also offer you clues from time to time, although whether or not they help or hinder you is something that’s up for debate. He’ll be a recurring character in the series as he’s apparently some sort of collector of these kinds of stories, wanting to observe those who experience them. Given the shorter intended length of these stories most of the mechanics I’ve described above have been streamlined somewhat so there’s a lot less depth to them than what I remember being in Until Dawn.
As with all interactive fiction exploration is the name of the game here although, if I’m honest, Man of Medan doesn’t provide a particularly rewarding experience in this respect. Sure, there’s a lot of stuff for you to find, but most of the time it’s just flavour text for the story of the ship. That’d be great if it wasn’t for the fact that you have most of the story for it already, thanks to the opening tutorial taking place in the past. So the rest of the stuff you read is really just fluff for the most part. Worse still it doesn’t seem like exploration, especially in places that are meant to be hard to find, rewards you in any way at all. In these kinds of games that kind of exploration, I feel, should be rewarded with things that help you in some way when it comes to the game’s critical moments. None of the items I found exploring the ship with my wife helped in any way and indeed, I think most of them actually made things worse. Sure, I can see that could have been intentional, but getting punished for doing the hard thing in a game feels like a swift kick in the pants.
Probably the worst part of Man of Medan though is the lack of connection between your actions and their outcomes. Now our playthrough probably wasn’t the greatest, we managed to kill 3 out of the 5 characters, but one of them didn’t feel connected to previous events at all and the last two were single QTE fails, neither of which gave any indication that that was our last chance to get the character out alive. The premonitions were also total trash as well, the options that they showed you seemingly having zero influence on the situation at hand. Worse still, with losing a character around halfway through the game, it was obvious that there were holes in the story that that character was meant to fill and from then on many interactions felt half baked as the scenes didn’t seem to be rewritten enough to cope for said loss. Honestly I never felt this way in Until Dawn, even when I watched my wife’s playthrough where she killed nearly every character.
Of course I’d probably be able to ignore most of these issues if the story wasn’t so uninspired and predictable. It was pretty clear from the onset what was going to happen and the unfolding of events really didn’t add much to the overall narrative. Combine that with the use of tired jump scares and run of the mill horror tropes and you had a recipe for a story that was forgettable, boring and lacking the drive to push the game forward. Even my wife, who loves this kind of horror, wasn’t really enjoying the story for the most part.
Putting this all together you’ve got a decidedly disappointing experience in Man of Medan, one that really isn’t up the standard that Supermassive set with Until Dawn. I do like the concept though, a mysterious man who takes you through stories of the past and catalogues your decisions, but the first instalment in this anthology doesn’t give me high hopes for future ones. Perhaps with a more engaging story I can look past some of the more egregious missteps as it was that, combined with the distinct lack of agency my wife and I felt whilst playing, that really tore the experience down for us. Maybe the next story, Little Hope, will prove to be a little better.
The Dark Pictures Anthology: Man of Medan is available on PC, Xbox One and PlayStation 4 right now for $49.95. Game was played on the PlayStation 4 with approximately 4 hours total play time and 11% of the achievements unlocked.
The Steam Holiday sale is often a time of buyer’s remorse for someone like me. Since I tend to buy games right after they come out (usually for review on here) by the time a Steam sale rocks around my library is usually already filled with the titles that are now available at under half the price. Still it gives me the opportunity to pick up games that were on my radar but just didn’t quite make the cut at their regular prices and Lost Planet 3 was one of them. I’ve always been tangentially aware of the series, ever since back when one of my house mates showed it to me, but hadn’t given it a go until now.
Lost Planet 3 is a prequel to the previous instalments and you play as Jim Peyton, a rig pilot for hire who specializes in manning giant robots that function in the most hostile environments. Jim has had a rough time finding work so when a contract comes through to travel to a distant planet he has little choice but to accept. Upon arrival however things aren’t exactly as they were first sold to you as many of the long time residents at this colony will tell you. Still Jim tries to keep his head down and just focus on the work, ensuring his family’s survival, until he stumbles upon something which changes his world forever.
The visuals of Lost Planet 3 have their moments, like the screenshot just below, but it’s obvious that the PC version of this game is a port of the Xbox360 one. I think this is party due to the use of the Unreal 3 engine which, like Flash Player, has a tendency to make everything done it have a very similar feel about it. That means the graphics feel pretty dated even when you’ve got everything cranked up to maximum. The flip side of this is that it runs quite smoothly regardless of how much action is on the screen, something which you will be thankful for in some of the more action packed scenes.
The game play of Lost Planet 3 is divided pretty equally between 2 different modes. The first is you standard 3rd person cover based shooter where you’ll run and gun your way through massive troves of insect like aliens all the while making sure you have a place to hide once you’ve taken too much damage. The second is when your in your rig which functions as both your transportation as well as an alternate style of combat. Both of these have their own upgrade systems with your character having several of them, enabling you to upgrade him significantly should you want to put in the effort.
Lost Planet 3 incorporates some RPG aspects as well allowing you to follow the core story mission whenever you want to but also providing you with a bevy of side missions to keep you occupied. For the most part they’re simply there to unlock more upgrades or give you more TE to spend at the default upgrade stores but there are a couple that seem to have no real purpose behind them. The DNA scanning mission for instance doesn’t seem to have any appreciable benefit for you at all. I must have scanned nearly all of the enemies I encountered, some multiple times just to be sure, but still upon returning to the quest giver I found no reward at all. I don’t know if there was a threshold or something else I was missing but the mission said nothing more than “Scan enemies with this special ammo”.
The combat on foot is relatively engaging, mostly towards the beginning where you have to make every shot count lest you be over-run by even just a few Akrid. This starts to peter out gradually as you progress through the game as the absolute power of the enemies doesn’t seem to change that much whilst yours scales ever upwards. It’s even more apparent with the threat of running out of ammunition is taken away from you (your rig has an ammo locker in its feet providing unlimited ammo) allowing you to simply spray and pray your way through those sections. There are some parts where this is used to great effect, during the drilling missions is a good example of this, but it can make it feel like being in your rig is somewhat redundant at points when it’d likely be much easier to just get out and shoot.
Your rig is a cool idea however it’s more of a transportation device and puzzle mechanic more than anything else. Sure you’ll get into combat with it but for the most part it’s dumbed down so much that it barely rates above a quick time event at most points. This is never more clear than when you’re locked inside the cabin when fighting an enemy that you’d previously fought on foot, forcing you to use your rig rather than the already proven method that you’d used previously. I can understand that this was done in part to make the rig upgrades actually worth getting but you could honestly skip all the ones that aren’t given to you as part of the story and still not have an issue.
Indeed apart from a few weapon upgrades the multiple upgrade systems that your character has access to are almost completely redundant. I was playing the game on the hardest difficulty and found that the combination of the prototype pulse rifle alongside the explosive bow was pretty much all I needed for any situation. It doesn’t help that there’s large chunks of the game where you’ll be rolling in TE but not have a place to spend it because you’re locked in that part of the game until you complete it. If you’re someone that likes to find all these collectibles then you might find some value in the multiple upgrade systems Lost Planet 3 has but since you don’t need them there’s little compelling you to seek them out.
Lost Planet 3’s story is told in flashbacks by an old Jim who’s regaling his grand daughter with the story of how he came to be on EDN III before he dies due to a cave in. This has the effect of removing all tension from any part of the game where you think you might be in danger as you know he makes it out in the end. Whilst the whole corporate conspiracy plot was a little obvious it would have probably been quite serviceable should it of not been told in retrospect as some of the more tense moments wouldn’t have had such a predictable outcome.
Lost Planet 3 is a game that had great aspirations but fell short of accomplishing them. I feel this is mostly due to the cramming in of too many other things that detracted from the main story line, leaving most of the features feeling decidedly middle of the road rather than being the polished gems they could be. Lost Planet 3 has its moments but they’re unfortunately lost in the mediocrity of the rest of the game. Fans of the series might get more out of this title than most as it does delve into the past that precedes the previous 2 instalments but for anyone else it’s simply another middle of the road game, one best grabbed at Steam sale time.
Lost Planet 3 is available on PC, Xbox360 and PlayStation3 right now for $49.99, $68 and $68 respectively. Game was played on the PC with around 10 hours of total play time.
Telltale Games has a reputation for taking IP that’s either old or from another media and translating it into a new game experience in their very distinctive style. If I’m honest I had avoided many of their titles as whilst it was cool to see things like Sam and Max make a comeback I had long left adventure style games behind, preferring the more fast paced worlds that FPS and RTS offered. Still it was hard to ignore the fervour that surrounded their interpretation of The Walking Dead and my subsequent play through of it showed me that Telltale was able to deliver a deep and compelling story. So when I heard about The Wolf Among Us I was sold on it instantly as the brief taste that 400 Days had given me of the signature Telltale experience had left me wanting for so much more.
The days of the fables living in their own world has long since past and they now attempt to fit into the world of humans through a kind of magic called Glamour. This allows them to take on human form so that they can blend in with the wider world, enabling them to live out their lives in relative obscurity. You play as Big B Wolf (affectionately referred to as Bigby) charged with being the sheriff of the Fabletown community, keeping everyone in line and ensuring the safety of all the fables that have made the transition to the real world. However the magic of glamour doesn’t change past deeds and many old rivalries are still going strong. It was only a matter of time before everything started to take a turn for the worse although you’d never expect Bigby, even with his chequered past, to be at the centre of it.
The Wolf Among Us brings with it Telltale’s trademark style for transitioning comic books to the PC gaming medium, favouring a heavily stylized world that’s light on the graphics but heavy with detail. Every scene feels like a pane pulled straight from a comic book with the only thing missing being giant speech bubbles above all the characters. The art direction has improved quite a bit over The Walking dead with the lighting having an almost oil painting like effect on everything. It’s hard to describe but The Wolf Among Us definitely has a similar feel to other Telltale games but there’s an air of refinement about it that their previous titles lacked.
The main game mechanics remain largely the same from their previous titles with the majority of it taking the form of a point and click adventure that’s peppered with quick time events for the more action oriented scenes. Like the artwork it feels a little more refined than their previous titles with the mechanics having improved UIs that are a lot more responsive. Of course the level of game play in The Wolf Among Us is deliberately simple as the focus is heavily on the story rather than anything else which may frustrate some players. I personally enjoy it, especially after such heavily interactive titles like Shadow Warrior and Grand Theft Auto V, but it’s definitely one of the more valid criticisms that are often levelled at Telltale games.
The dialogue system has seen a small change as now instead of the options being on top of each other they’re laid out as a bunch of squares and no longer begin to fade as the time runs out. The “say nothing” option also seems to be far more prevalent something which you can use to great comedic effect if you feel like doing so. These changes definitely make the options a lot easier to scan and choose between, especially when you don’t have a lot of time to make a decision, and I’m not quite sure how to put it but the flow of dialogue definitely feels different to previous Telltale games. I like it and I’d be interested to see what long time Telltale fans think of the changes.
Whilst I think Telltale are probably the only company to do episodic content right this is the first time I’ve come in at the ground level for one of their IPs and, if I’m honest, it’s actually a little frustrating to start this early. Each episode is a bit sized chunk, on the order of 2 hours each, and whilst they’re quite entertaining in their own right I’m not the kind of person who likes to go back and revisit games for DLC and the like. I most likely will for The Wolf Among Us but it still feels like it’d be somewhat better to wait 5 months until all the episodes are out and then binge on them over a weekend. This can be made up somewhat by the fact that multiple play throughs can be quite a rewarding experience with Telltale titles as the game can play out very differently depending on what seems like minor decisions.
I’m not familiar with the source material behind The Wolf Among Us so I can’t comment to how true to form it is (although I’m told The Walking Dead was essentially like for like) but the story is gripping and thoroughly enjoyable. Of course that’d be all for nothing if the voice acting wasn’t up to scratch but the casting has been done exceptionally well with Bigby’s gravely voice fitting his character perfectly. I really can’t wait to see how it develops over the coming episodes as the first episode was action packed enough and the small teaser they give you at the end is almost cruel in how many questions it raises.
The Wolf Among Us continues Telltale’s success with translating IP material onto the video game medium with skill that few other game developers can match. The current instalment is more than enough to get you hooked into this new world, leaving you clawing at the walls for more that won’t be coming for another month. Whilst the simplistic game style won’t be for everyone the story more than makes up for this, providing an extremely rewarding experience for those who take the small amount of time to experience it. Whilst I’d probably recommend holding off until all the episodes are out it still stands on its own as a great experience, even if its a little short.
The Wolf Among Us is available on PC, Xbox360 and PlayStation 3 for $24.99. Game was played on the PC with around 2 hours of total play time and 16% of the achievements unlocked.