The Battlefield series has, for the most part, stuck to its roots of giant war-based combat which has served it well over the past 13 years that it has existed. This put it in direct competition with Call of Duty although they favoured a longer development and release cycle with their games usually having a 2+ year cycle with various expansions and DLCs peppered in between. For many it served as the more refined version of Call of Duty, favouring tactics and skill rather than fast action and twitch reflexes. Battlefield Hardline marks DICE’s first departure from the Battlefield formula and whilst parts of what made the series great can be seen in here the game unfortunately leaves a lot to be desired.
Miami has gone to hell, the streets flooded with drugs and gang warfare escalating to all new heights. You are Nicholas Mendoza, newly minted detective in the Miami PD who’s looking to clean up Miami through good, honest police work. However it doesn’t take long for things to start going awry with your first bust turning into a bloodbath and questions to start arising around your methods. Indeed the more you try stop the plague that’s spreading through Miami the more you seem to be drawn into it, with your fellow cops being the ones dragging you in.
Unlike it’s predecessors that used the Frostbite 3 engine Battlefield Hardline doesn’t feel like a massive step up graphically, indeed it actually feels like it’s gone backwards in some respects. Whilst we still have the wide open environments that are a signature of the Battlefield franchise they just don’t feel as visually impressive as they used to, even with the enormous amount of grunt that my new rig can provide. Looking over my screenshots from previous reviews confirms this, showing that the engine is capable of quite a bit more than what Hardline seems to make use of. It makes even less sense when you find out that this isn’t Visceral’s first experience with the Frostbite engine either so I can only assume that the reduction in fidelity was done for optimization reasons.
Hardline plays much like Battlefield 4 did before it, retaining many of the core mechanics whilst adding in a few new tricks that tie into the police theme. You’ll still be running and gunning quite often, although in slightly smaller environments than you’d be used to, and the stealth mechanic that appeared in Battlefield 4 makes a return in Hardline. However now instead of getting points to level up your character by killing people you instead only level up by taking people down non-lethally or arresting them, something you can accomplish by telling them to “freeze” and then tackling them to the ground. There’s also bonus objectives like warrant suspects (who give quadruple score for arrests), cases for you to investigate by finding evidence and completing additional objectives. The multiplayer introduces a bunch of new modes which are mostly variants of the standard game styles we all know and love although it seems everyone is really still only interested in the big, 32 on 32 conquest maps.
The FPS combat in hardline feels a little unpolished as all the guns in their own categories feel pretty much the same as one another. Indeed once you get a few levels under your belt and unlock a couple guns there’s really no need to switch to anything else and the game rarely pits you against enemies with new and interesting guns, meaning you’ll have to level up or complete case missions in order to add in some variety. Couple this with the absolutely dumb as rocks AI and you’ve got a FPS experience that’s highly forgettable, even in the scenes which feel like they’re supposed to be action packed but just end up feeling bland.
This is only exacerbated by the repetition that’s introduced by the arrest mechanic which you’re required to use if you want to level up your character. Sure it’s pretty fun to work out the best way to approach a section so you can arrest everyone in it, but after you’ve done that a dozen times it starts to lose its luster. Thankfully you don’t have to do that for long as I was able to reach max rank somewhere around episode 7 or so but even the freedom granted by being able to run and gun everything past then didn’t add any life back into Hardline’s combat. This is what made it incredibly easy to put the game down at the end of each “episode” as playing more than one in a night was a recipe for frustration and boredom.
The story is somewhat serviceable in comparison to the rest of the game, with most of the characters being given enough screentime and background to be believable even if the situations you find them in are wholly unbelievable. I couldn’t find myself empathizing with any of the characters though, even the main protagonist, as they didn’t really feel relatable until right near the end. Even then it felt like too little too late, even if I had enough information to understand the decisions they were making. The ending might not scream sequel but it’s definitely hinting at it, raising its eyebrows suggestively and giving you a sly wink as you walk out the door.
I’ve only spent a brief few hours with the multiplayer (for issues I’ll dig into below) but the horror that is Battelog has made yet another return for Hardline and the issues surrounding it still remain. For the most part it seems like the community has little interest in the new game modes as servers that cater towards them are barren wastelands, devoid of players wanting to play them. Instead the vast majority have huddled around the safe place of Battlefield’s large scale warfare maps, something that feels quite at odds with the game’s more intimate setting and direction. Suffice to say it pretty much plays how you’d expect it to with the key difference coming from you being able to generate cash to buy new weapons and perks, rather than having to unlock them by levelling a class. It takes the edge of the levelling curve but doesn’t do much else.
The icing on this rather unappealing cake comes in the form of bugs, glitches and good old fashioned crashes that seem to be a mainstay of all Battlefield releases. I had the single player crash on me multiple times, often when I wasn’t doing anything particular of note at all. Battlelog simply refused to recognise that I had Origin installed until I reinstalled it, something I seem to have to do with every Battlefield release. Then when I did try to play some multi games the game would often just up and exit without any notification of what happened, sometimes in the middle of the game and others when I was spending the mandatory 5 minute wait while the game reloaded itself again. I honestly cannot understand why, after 2 previous releases that suffered the exact same issues, that DICE and Visceral couldn’t work out these issues before release and it’s not something I’d expect from a veteran AAA developer.
Battlefield Hardline is an unfortunate fall from grace for the series, trashing the things that made them great and failing to add in anything that could justify taking such a huge risk. The gameplay is bland and uninteresting, failing to capture the player’s attention even for the short duration of the episodes in the single player game. The changes to the multiplayer are completely out of line with what the community wants, as shown by the fact that the only playable servers are those that emulate the previous title’s play style. Topping it all off is the instability and lack of polish on the core game itself, with crashes and bugs plaguing the already beleaguered experience. I honestly can’t recommend this game even for the die hard fans of the series as it just falls so short of the standard that its predecessors set.
Battlefield Hardline is available on PC, Xbox360, XboxOne, PlayStation3 and PlayStation4 right now for $59.95, $89.95, $109.95, $89.95 and $109.95 respectively. Game was played on the PC with approximately 9 hours of total play time.
There’s a new trend among the newer game developers who found success with their earlier titles. Instead of relying on releasing sequels (although most of these kinds of developers still do that) they instead rely on applying their trademark style to different games, allowing them to experiment with new IPs whilst still retaining the majority of the brand loyalty that a sequel would. The most prevalent example of this is Telltale Games who’s titles include various IPs ranging from their signatures like The Walking Dead all the way down to TV tie-ins like their CSI games. Turtle Rock Studios made a name for themselves with the Left 4 Dead franchise which had the unique appeal of putting you in charge of the monsters that terrorized other players. Evolve extends that idea except now instead of being team on team it’s now one versus four and that difference, along with the swath of new mechanics, make it quite an interesting title.
The planet Shear is a planet deep in space, on the far reaches of humanity. We set up colonies there, hoping to plunder the vast riches of this world for ourselves. However the world rebelled against us, sending huge hulking monsters to destroy everything we built and slaughter everyone who dared to tread on its surface. That’s when William Cabot arrived, bringing with him his team of hunters who would put these monsters in the ground, allowing us to escape from the planet’s deadly grasp. You are one of those hunters and its your job to save colonists and collect a fat pay check in the process.
Evolve is the first taxing game I’ve run on my new rig and suffice to say that it looks absolutely gorgeous with everything turned up to its limit. There’s a slight Unreal engine feel to it, most likely due to the texturing more than anything else, which would usually detract from the visual experience however Evolve has so much detail that you stop noticing it very quickly. You won’t have much time to stop and gawk at the huge environments however as you’ll always be in motion, whether you’re the monster or the hunter trying to track it down. This visual pleasure does come at a cost however as DirectX 11 is a strict requirement so if you’ve let your GPU age a couple generations now would be the time to invest in an upgrade.
The mechanics in Evolve are a fresh take on the style that Turtle Rock perfected with the Left 4 Dead series, using the futuristic setting to the fullest extent to create 5 truly unique archetypes that all have their role to play. The monster is the signature character class and, depending on how you play the game, will either be your staple or class you rarely ever play. The Monster is the signature archetype of the game which is controlled by a single player for the entire duration of the match. The hunters make up the remaining 4 archetypes, each of them filling a specific role in bringing the monster down. For the hunters the game centres on team work, ensuring that everyone performs their role correctly and executing whatever battle plan you have in your head perfectly. For the monster however it’s a game of balancing evolving, battling hunters and trying to complete the map’s objective before the hunters get you. So whilst Evolve might be a little derivative from their past titles it’s most certainly a fresh and unique experience, one that is tied to how good your team and/or the monster is.
Evolve gets credit for putting everyone through a couple of mandatory tutorials before allowing them into the main game, ostensibly because playing the monster is a non-trivial exercise and you’ll need to know the basics of movement before you can play effectively as a hunter. Whilst it’s not as thorough as say, the DPS/Tank challenges in World of Warcraft, it’s enough to make sure you won’t be completely useless. Evolve does send a bevy of prompts your way through the game though so even if you haven’t played a class in a while you should be able to pick it up without too much hassle. After that it was only an hour or two before I had grasped all the key mechanics pretty well and was feeling like I was actually contributing to the fight.
There are two main ways to play Evolve: either as a team (which bars you from being the monster) or as a solo player who can choose to play whichever class they want. You won’t always get the class you want however you can set a preference for which ones you’d like to play more than others. I’ve only had a couple games where I wasn’t given my first or second preference so if you’re keen on playing a particular class you shouldn’t go long without getting it. I managed to get some time playing on both sides of the equation and, most definitely, my favourite way is to play with a group of mates. However the game play is still solid enough that playing online with a bunch of strangers is still rewarding although it is a far more variable experience.
This is mainly because in those types of games, the ones which are mostly made up of random people playing together, the advantage tends heavily towards the monster. This isn’t a fault of the game, more a product of the fact that a bunch of randoms are less likely to work as a cohesive whole than a single guy with the power of 4 other people. I definitely noticed this when I was playing as the monster and the hunter’s medic was, shall we say, unaware of the fact that their death would spell the end of their team. I managed to win 4 out of 5 matches against them (foiled at the last stage when the auto balance was at 4 bars in their favour) by waiting for them to trap me in and then going to town on their healer. I’ve also been on the flip side however when a less than stellar monster decided that evolving in front of me was a good idea, something which Parnell (who with Super Soldier activated) took advantage of. I’m not sure how the match making works yet but there definitely needs to be some kind of ranking system in the back end to make the games a little more even since, as it stands right now, most matches are pretty one sided.
Evolve was rock solid for most of the time I was playing it however there were a couple issues that I think bears mentioning. The worst one I encountered was a Cry Engine error that said DXGI_ERROR_DEVICE_HUNG which highlighted the fact that there’s no way to rejoin a match if you crash, lag or disconnect. I looked around for a solution but nothing seemed to give me a solid answer one way or the other and, thankfully, I only saw it once during my 7ish hours with Evolve. I also had the rather annoying issue of my mouse cursor appearing when it shouldn’t (so I could see it while I was playing) and not showing up when it should (like in the menus). This could usually be fixed by alt-tabbing or shift-tabbing however sometimes it would require an entire game restart to get it working. These were minor inconveniences however and didn’t detract heavily from my overall experience.
Like Left 4 Dead before it Evolve has musings of a story peppered throughout it via bits of conversation between your character and your fellow hunters with a few bits fleshed out in various cut scenes. There definitely appears to be a larger world that the world of Evolve exists in however it’s not explored in any kind of depth beyond that of the back and forth banter that your characters sometimes have. Considering this is a multiplayer-first game (there is the option to do solo stuff if you want) like Titanfall I wasn’t really expecting much and so I can’t really count this as a fault. Ultimately the stories you and your friends create in Evolve will be far more interesting than the lore behind of this world you’re playing in.
Evolve is a wonderfully fresh breath of air, taking all the best parts of the Left 4 Dead franchise and rebuilding them in a new world that allowed Turtle Rock Studios to really experiment with what their niche genre was capable of. The game oozes polish in all the right places with only a hint of some issues still present a couple weeks after release. Playing with friends is a great experience, one that will be sure to create tales that will be retold for years to come as Evolve is broken out at LAN parties everywhere. The match-made multi-player experience is, unfortunately, quite varied although it’s not beyond saving and hopefully Turtle Rock is watching these first few weeks carefully to see what tweaks are needed to make it a much more fair experience. Overall though Evolve is a game that’s incredibly fun to play and one I can see myself coming back to when I need a break from the typical FPS drudgery I find myself in.
Evolve is available on PC PlayStation4 and XboxOne right now for $59.99, $99.95 and $99.95 respectively. Game was played on the PC with approximately 7 hours of total play time and 27% of the achievements unlocked.
The origin story of Respawn Entertainment is one that’s cemented in many gamer’s minds. Not long after Infinity Ward released Modern Warfare 2 tensions between some of the executive team and Activision began to escalate. This eventually led to Jason West and Vince Zampella being fired from Infinity Ward for “breaches of contract and insubordination”, a line not many in the industry believed. However not long after that the former employees announced that they were starting a new games company (with blackjack and hookers, obviously) called Respawn entertainment. It didn’t take long for many current Infinity Ward employees to follow them but after that they went dark. Last year Respawn announced their first title would be called Titanfall, a sci-fi FPS that would be an Xbox exclusive. Thankfully that, and a few other things, have changed since then and Titanfall has shaped up to be a great first title, even if can’t hide its Call of Duty roots.
It’s the distant future and mankind has succeeded in building warp technology, opening up the universe for our exploitation. Humans have expanded far and wide however with distance became a growing disconnect and resentment began brewing between the core worlds and those that live on the frontier. Over time this has escalated into a full scale war between the core world’s military force, The IMC, and the frontier’s Resistance. Neither side has any intentions of backing down and battles continually rage on multiple planets, devastating their colonies and turning paradises into giant fuel depots and factories dedicated to the war effort. You’re a pilot, one of the elite 2% who make it through the notoriously fatal training programs, and it’s up to you to fight for your cause.
For a game that’s based on a modified version of the Source engine (the same one that powered Half Life 2 all those years ago) Titanfall is surprisingly pretty with all the eye candy I had come to expect from games like Crysis or Far Cry. The initial settings that Titanfall selected for my system had me a little worried that it’d run like a dog once I started tweaking it but, surprisingly, it runs incredibly well with only a few things like shadow detail turned down. Still, as you can see in the screenshot below, those tweaks don’t appear to have a lot of impact on the overall visual quality something Respawn are to be commended for. You won’t be spending much time looking at the scenery however as Titanfall is designed to throw you head first into the action and it doesn’t let up until the round is finished.
Typically I’d go over most things from the view of the single player campaign first before talking about the multiplayer experience but Titanfall takes the interesting route of blending in single player elements into multiplayer matches to facilitate the story. It actually works out really well as a gentle way to introduce you to how Titanfall plays as you’ll likely be matched up against other people just starting out with it, ensuring that you’re not stomped by max level players who’ve already amassed hundreds of hours. The game’s story is also passable however since you’re always in the middle of the action when critical things are occurring it’s kind of hard to pay attention to it which is probably the only major letdown of the multiplayer campaign experience.
Titanfall has 2 distinct modes of gameplay, each of which has its own unique tech tree for you to customize to fit your playstyle. The first is a traditional style FPS experience with the added benefit of lots of mobility, including parkour style wall running and double jumping, and an array of weapons that are distinctly different to anything you’ll find in similar deathmatch style games. The second one happens when you call in your Titan from the sky, giving you a giant battlesuit with high powered weapons to take on both players and other Titans alike. How you customize your loadout, both for Titan and Pilot play, will determine how effective you are in certain situations and whilst there’s no one build to rule them all there’s definitely going to be one that suits you perfectly.
At first glance you’d figure that everything would revolve around Titan based combat because, come on, they’re giant mechs. Whilst this is partly true you’re given a heck of a lot of tools to deal with Titans as a Pilot. This isn’t to say that Titans are your biggest threat on the field however as you’ll likely spend quite a lot of time facing down with other pilots. Thus the larger strategic decision you’ll have to make when customizing your Pilot load out will be: do I want to be anti-Titan or anti-Pilot? The same choice applies to your Titan load out as well and will determine when you’re most effective in the game. Since you’ve got multiple loadouts to choose from this usually isn’t too much of an issue as you can build for multiple situations but each of them will need to be geared towards either one of those objectives otherwise you’ll likely find yourself ineffectual at both.
For me I chose to go for a primarily anti-Titan build for both my Titan and Pilot. I kind of fell into it as I kept tweaking my build throughout the campaign missions, trying out things that were used against me that I felt were pretty effective. The main exception to this is the smart pistol which is like having a sanctioned aimbot and is very handy in showing you where enemy Pilots are hiding. Of course its stopping power is somewhat limited, given its aimbot nature, but if you’re able to dance around someone long enough you’re guaranteed a kill. Walking around a corner into someone else will likely see you dead first, however.
However once I got past level 20 or so (which doesn’t take long to do, I think I got there in about 3~4 hours) my build remained largely static. Whilst I did encounter some other builds that were particularly effective at one thing or another they all seemed to be pretty limited outside of that. Indeed the best one I came across, the light Titan with the Arc Canon, wouldn’t last long after I landed a couple hits on it. Couple that with the Vortex Shield nullifying their fully charged shots most of the time and it made it hard for me to want to try anything different, lest I start getting owned. This is in stark contrast to the way I play Call of Duty where I’ll typically have 4 completely different builds loaded up just for variety’s sake, all of which I feel are viable. Maybe my build just fits into the way I play best but, honestly, whilst the initial customization options seem large they pale in comparison to similar games in this genre.
This, I think, is probably the one thing that could be Titanfall’s… downfall. There’s just not enough variety in the game to keep you going past a certain point as you’ll unlock most things relatively quickly and will tend towards things that work. There’s a whole mess of things in the game that just aren’t worth using, shrinking the pool of viable builds considerably. Whilst 15 maps sound like a lot you’ll get familiar with them quickly and apart from attrition all of the game modes are the same kinds of modes you’ve seen dozens of times previously. Thus in order to keep Titanfall new and engaging Respawn needs to keep releasing content, something which they’ve planned to do but I have no idea how well it will work should it not come out soon.
Titanfall is a gorgeous, action packed game that delivers a great multiplayer experience reminiscent of the Call of Duty series but with an identity that’s uniquely its own. The blended single/multiplayer campaign works well, functioning as an extended tutorial that ensures you know what you’re getting into before diving into the multiplayer in earnest. It’s let down a bit by the lack of variety which is exacerbated by the fast levelling process, which could affect Titanfall’s longevity for some. All that being said it is an incredible amount of fun to play and is a solid first title from Respawn entertainment.
Titanfall is right now on PC and XboxOne for $49.99 and $99.95 respectively with a Xbox360 release due in the near future. Total play time was approximately 7 hours, reaching level 31.
I have something of a soft spot for the Call of Duty series, a trait which I think is highly evident given the fact that I’ve been reviewing their games for the past 4 years. This primarily extends from their highly cinematic single player experiences where the actual game play borders on being more like an action movie rather than a traditional FPS. However I also found myself inexplicably drawn to the multiplayer, finding myself being one of “those people” who just couldn’t get enough of the fast paced, super spammy Nuketown map. I also have to admit that I did feel pretty special to be invited to come and preview their games way back when (something I’ve been unfortunately unable to repeat lately) and the fact that they sent me copies to review was a kind of validation that I hadn’t got before. Whilst that trend didn’t continue this year I’m still a fan of the series in general and have spent the better part of 2 weeks gorging myself on everything Call of Duty: Ghosts has to offer.
Call of Duty: Ghosts takes place in the not too distant future in an alternate timeline to the rest of the Call of Duty series. You primarily play as Logan, the son of a lifetime military man Elias who regales you with the story of an elite unit who faced down overwhelming odds and came out the other side. They called themselves the Ghosts, known for never giving up until their mission was completed and always ensuring that all their men got out, dead or alive. The story is unfortunately cut short as it quickly becomes apparent that the USA is under attack however the origin of the bombardments isn’t quite clear. What is for certain however is that the new world superpower, The Federation, are behind it and they need to be stopped.
Ghosts is one of the first titles to make it onto the next console generation (although its still available on current gen) and the improvements to the graphics that they enable are quite impressive. Whilst the difference between Black Ops II and Ghosts is as great as you’d expect to be, especially with this being the first next gen Call of Duty title, there’s still been a dramatic improvement since the last Infinity Ward game. All of the screenshots were taken in game and I think they speak volumes to the amount of effort put in to the set pieces that Infinity has created. It’s also probably the reason why the game comes in at 28GBs, by far one of the largest downloads I’ve ever had for a single player game (the multi is a separate 4GB download of its own).
The game play is your standard corridor shooter with you being guided from point A to point B by one or more NPCs with different kinds of objectives along the way. Saying that for most games would be a jab at their originality or banality but the Call of Duty series does it so well that it’s hard for me to criticize them for it. Still if you were looking for something innovative or different about the single player campaign you’re going to be disappointed as it really is just a scenic tour through a whole bunch of impressive artwork with action movie style combat thrown in so you don’t get bored walking everywhere. That being said it is quite the ride with you rarely being given more than a couple moments to catch your breath before the next unbelievably epic moment occurs.
The combat is, as always, polished and refined to the point where it’s smooth as glass. The only variation from previous games is the weapons and equipment that will be made available to you and for the most part the differences are largely cosmetic as they’re all guns that shoot bullets. There is a little variety in the way the guns act in different environments, like when you’re in space or under water, but the standard assault rifle will be your mainstay for the majority of the game. If there’s one thing I’ll criticize Ghosts for it’s the use of sniper accurate enemies who seem to be able to hit you from almost any angle, leading to long periods where you have to peek your head out, get hit, figure out where they are and then try to pick them off before they or their friends do the same to you. This is made somewhat more annoying by the unpredictable nature of the NPCs who sometimes charge ahead or seem to get stuck in one position until you do the charging, but then again I’ve yet to find a game where I’ve felt the NPCs were truly useful additions.
Considering the amount of hype and focus the dog got prior to Ghosts’ release I’d be remiss if I didn’t give my perspective on it. Riley (that’s his name) is essentially another mechanic for them to throw at you with his main function being that of a kind of single target grenade that you can point at anyone and have him take them down. There are also some more weird sci-fi sections where you’re able to control him directly, making him sneak behind enemy lines and even take down people from a remote console. It fits in with the overall game, although why such a big deal was made of it I’ll never quite understand, and there’s a particular heart wrenching moment when he gets shot and you have to carry him through the battlefield. Conveniently they also provide you with an insane machine gun at that point, allowing you to go full rambo on the assholes who shot your dog which was probably one of my favourite parts of Ghosts.
I’m somewhat thankful that Ghosts took a new route as the previous storyline was starting to get a little long in the tooth, especially with all the various sub-plots that I just couldn’t seem to keep track over between instalments. They’ve taken a break from the traditional clandestine unit saving the USA from imminent attack, instead putting you in a world that’s been devastated by the newest superpower. It’s best not to think about it too deeply though as it tend towards more being an action movie than a psychological thriller, hoping that you won’t think and instead enjoy the ride. If you do that the story is passable and is more than enough to keep you motivated from one objective to the next.
The multiplayer breaks away from Infinity Ward’s traditional way of doing things (where most things are locked until you level up enough to get them) and instead adopts a Squad Point system for upgrading your character. Unlike the the cash system that the original Black Ops had Squad Points aren’t earned in troves by simply playing. Whilst you will get points for levelling up the system is obviously more geared towards you completing challenges, both grand ones that require multiple games to accomplish as well as field orders which grant you a bonus during the game. Because of this all the guns in the game are available to you from level 1 and all that’s required is that you grind out a few points to unlock them.
The perks, however, are hard locked to your level with the more powerful ones being reserved for the later stages. This does mean that particular play styles are just simply not feasible until you get to that stage as you won’t be able to have your pick of the perks until you hit level 60. For someone like me who’d developed a distinctive play strategy (I’m a rusher style player) it meant that I had to change the way I played in order to get anywhere in the game. It doesn’t take too long to adjust as you can still do the traditional assault rifle style play but I did feel a little miffed that I couldn’t engage in the insane runabout shenanigans that I did in previous games.
Indeed it seems that Infinity Ward is trying to encourage a slightly different style of play with Ghosts as there are now many more open maps that are more conducive to sniping than there was in the previous games. You can imagine how annoying this is to a rusher like me where my style of combat relies on getting in people’s faces, but it means that you just have to adapt or die. There are still a few crazy small maps however it seems that they’re no where near as popular as the Nuketown of old as there’s rarely more than 100 players in the Ghost Moshpit game type with most staying on Team Deathmatch or Domination. This is probably not so much of a problem on the consoles however as there’s an order of magnitude more players around at any given time.
For what its worth I feel that the multiplayer of Ghosts is weaker than previous instalments as it just doesn’t seem to have that same pulling power on me that it used to. I’ve still racked up about 7 hours on it after taking about 2 to find my feet again but I just don’t have that same sense of compulsion pulling me back. Maybe its the lack of Nuketown, maybe it’s the lack of my spammy akimbo style of game play but whatever it is it just isn’t the same as it used to be. Activision said that they were expecting lower sales this time around due to the console switch over and that seems to be reflected in the multiplayer. Hopefully the next instalment won’t suffer because of it.
Call of Duty: Ghosts is another highly polished instalment in the franchise, showing that Infinity Ward is capable of delivering a highly cinematic experience that’s thoroughly enjoyable to play through. Whilst the stories and setting are always different the core game play remains the same and it’s commendable that they can still make it enjoyable this many years on. However the multiplayer experience is definitely a step down from previous games, lacking the same addictive power that compelled me to become a fan of the series all those years ago. Overall it’s still a solid game experience but they’re going to have to aim higher next time around if they want to recapture their original glory.
Call of Duty: Ghosts is available on PlayStation3, PlayStation4, Xbox360, XboxOne, WiiU and PC right now for $78, $78, $78, $78 , $99.95 and $89.99 respectively. Game was played on the PC with 5.4 hours in the single player campaign and 7.1 hours in multiplayer.
As long time readers will know I’m a big fan of Crytek’s flagship series Crysis as it’s one of the few no-holds-barred PC games when it comes to ratcheting up the graphics to insane levels. It harks back to the golden era of PC gaming where every new title attempted to do exactly that, pushing the boundaries of the hardware so hard that yearly upgrade cycles were not only desirable, they were almost required. The consolization of PC games took a heavy bat to this idea and strangely enough even Crysis 2 fell prey to it somewhat with my rather mediocre PC at the time being able to run it perfectly (and admittedly it was still quite good for its time). When Crytek announced that Crysis 3 would be a returning to its roots with insane levels of graphics I was incredibly excited and I’m glad to say that they didn’t disappoint.
Crysis 3 takes place 24 years after the incidents in Crysis 2. Prophet, in reality the amalgam of Alcatraz and the remaining memories of the original Prophet that the NanoSuit stored, has been in stasis for the past 2 decades since CELL captured captured him. You’re broken out of your prison by Psycho, one of your former suit buddies who’s been stripped of his NanoSuit. You find out that CELL has been using some Ceph technology to generate unlimited amounts of energy and has used that to enslave most of the world in crippling amounts of debt. Psycho, saved by people in the resistance, needs your help in order to take them down. As you start to dig into CELL’s activities however the real plan becomes apparent and it becomes clear that only you are able to stop them.
The technology under the hood of Crysis 3 is the same as Crysis 2 so you can imagine I was a little sceptical as to how much of an improvement they could make in the 2 years since their last release. Figuring that my still semi-new upgrade would be up to the task I cranked everything up to its highest, leaving only the anti-aliasing at a tame 2x. What resulted afterwards can only be described as slide show, a very pretty one but it ran so slow that many of the models glitched out and it was essentially unplayable. Dialling back the settings to their recommended levels turned that slideshow into a much more playable game and what a game it is.
Every screenshot you’ll see in this review was taken in game with most of the settings at 1~2 notches below the maximum possible. The level of detail is simply amazing with all models being of the level I’ve come to expect from most game’s cutscenes rather than their in game representations. Crysis 3 makes use of the entire DirectX 11 feature set and does regular things like motion blur, specular highlights and bump mapping better than any other game I’ve played recently. Whilst the framerate wasn’t the greatest in large outdoor areas it was absolutely butter in small to medium sized zones and it was so good that I almost feel like upgrading my PC again just to how Crysis 3 would fair if had room to stretch its legs.
Suffice to say that Crytek has really returned to form with Crysis 3’s graphics.
For those who’ve played Crysis 2 the game play will be very familiar to you with the NanoSuit design staying basically the same as it did in the previous game. You have 3 modes available to you: regular, armoured and cloaked which you can switch between at will. Armoured mode drains energy when you get hit by various things and cloaked mode slowly drains away energy whilst your standing still and even more when you move around. These two active modes are essentially the two ways of completing any obstacle that you might face in Crysis 3: either by stealth or by raw fire power.
Whilst there might be a choice available to you it does seem like Crysis 3 would prefer you to go with one over the other. Right at the beginning you’re given what amounts to the biggest change between Crysis 2 and 3’s combat: the compound bow. Essentially it functions like a backup weapon as it doesn’t count towards one of your 2 regular weapons but like them its customizable with different ammo types and scopes. The key difference between the bow and other weapons however is the fact that upon using it you will still stay cloaked, allowing you to take out enemies with ease and drastically increasing the amount of time you can remained cloaked. Couple this with the fact that the primary type of arrows you can use (impact) can be picked up after you use them you essentially a weapon that’s got unlimited ammunition, kills in one hit and allows you to stealth around everywhere without getting caught. Running and gunning seems rather moronic by comparison.
This is only amplified by the upgrade system which allows you to beef up aspects of the NanoSuit to fit your play style. Whilst its entirely possible to make yourself nigh on indestructible the upgrades for stealth users simply magnifying the already over powered combo of cloak plus bow. Indeed for quite a while I was running around with just the stealth upgrades and multitudes of points available to me. I ended up spending them just before a particular boss fight that required me to go toe to toe with it but I actually found that using stealth was a viable option once I had worked out the fight a little more. This may be due to the difficulty level I was playing on however and I’m sure at easier levels run and gunning would be more viable.
Crysis 3, whilst still technically being an on-rails shooter, does retain the non-linear variations for each section that help to keep it from being yet another corridor shooter. When you’re moving between sections there’s definitely only one path that you can progress through however in those sections there’s usually additional objectives that you can go for which will assist you in getting to the primary objective. For instance there’s one section where two giant walkers are blocking your path. Now on the ground nearby there’s a ton of RPGs scattered about so with a little bit of legwork you could probably take them down. However there’s also a nearby mortar team that’s in need of assistance and should you help them out they’ll let you tag targets which they can then take out for you.
The vehicle sections feel tacked on, almost as if they’re only there to serve as an introduction into what will be available in multi-player. Whilst I applaud their use of larger-than-life maps they only seem to be there to facilitate the inclusion of the speedy Half Life 2-esque dune buggy. I will admit that the optional tank section was pretty fun but it was cut brutally short, right before a time where it would have been a hell of a lot of fun to blast a whole bunch of Ceph out of the skies. This was followed shortly after by an on-rails vehicle section putting you as the gunner which was frankly suicidal as all the Ceph aircraft targeted you instantly and your mounted gun was highly ineffective against them. I’d prefer that these sections stayed in and were revamped rather than them being removed however but they really do feel out of place with the rest of Crysis 3.
There’s also few bugs and glitches to speak of although it pains me to say that at least one of the issues that plagued Crysis 2 are still present in 3. Some guns, for example, will simply not be able to be picked up which can be pretty devastating should you not be able to swap a weapon out for a particular section. The graphics glitches appear to only happen if you’re stressing your hardware too much and disappear the second you revert them to more sane settings. The vehicles are mostly fine except for one part when my tank slowly started turning itself over and then eventually capsized for no apparent reason. Getting out of the vehicle seemed to let it right itself however but the behaviour was still very odd.
I was all ready to pan the story as for the first couple hours there’s really no tension, character development or anything that made me feel for the characters. This all changes later on as the voice acting seems to improve a lot, especially towards the end when certain reveals ramp up the tension between the characters. It’s not an emotional roller coaster like other, more story focused games but it was unexpectedly good for an on rails shooter. They also thankfully avoided the extremely obvious “INCOMING SEQUEL” stuff which plagued Crysis 2, but the current story wraps up well with enough leeway that a sequel is possible without it being obnoxious.
Crysis 3 is simply stunning; a visual masterpiece coupled with highly refined game play that we’ve come to expect from the people at Crytek. There’s no doubt that the graphics are what makes this game so impressive as Crysis 3 is probably the only game that demonstrates the full capability of DirectX 11 on the PC platform today. It’d all be for naught however if the rest of the game didn’t stand on its own however and I’m glad that it does otherwise it’d just be another tech demo ala ID’s Rage. I thoroughly enjoyed my time with Crysis 3 and I’d encourage anyone who’s still a dedicated PC gamer to spend some time with it, if only to see how capable your rig really is.
Crysis 3 is available on PC, Xbox360 and PlayStation 3 right now for $69.99, $98 and $98 respectively. Game was played entirely on the PC on the second hardest difficultly with a total of 7 hours played.
One of the things I really like about reviewing games is going back over my reviews when a sequel or another instalment in a franchise comes out. The Call of Duty series takes the top prize for being my most reviewed franchise with not 1, not 2 but 3 previous reviews which I can draw on directly for comparisons. For someone who used to avoid any game that was based around one war or another it’s interesting to see how quickly I came around once I started playing the Call of Duty series, being hooked after a single game. Call of Duty: Black Ops II is the latest instalment in the franchise from Treyarch and I must say that they’ve really outdone themselves this time, firmly placing themselves on the same level as Infinity Ward.
Call of Duty: Black Ops II takes place in the not too distant future of the USA in 2025. The story centres around David Mason, son of Alex Mason the main protagonist from the original Black Ops, who’s tracking down a known terrorist called Raul Menendez. Much of the story is recounted in flashbacks from an ageing Frank Woods who David Mason consult with to try and find out where Menedez is and what he might be up to. It’s through these flash backs that you start to make sense of some of the events of your past and understand why things certain things have happened and why you’re still alive to see them.
For a primarily console game I wasn’t expecting a major update in graphics from any of its predecessors as I believe they were tapping out the capabilities of the Xbox360 some time ago. Compared to Modern Warfare 3 this seems to be largely true with them both having similar levels of graphical detail. However if you compare it to Treyarch’s previous release there’s most definitely a step up which they’re to be commended for. If I’m honest whilst the graphics aren’t a massive improvement over Modern Warfare 3 they are a hell of a lot more smooth, especially when there’s a lot of action going on. For a game that is almost entirely fast paced action this is a very welcome improvement, especially when it comes to multiplayer (which I’ll touch on later).
If you’ve played any of the Call of Duty series you’ll know the basic breakdown of the game play that I’m about to give you. It’s a First Person Shooter and so you’ll spend the vast majority of your time running around, letting bullets loose at varying arrays of enemies and utilizing your additional equipment (like grenades, flash bangs and remote C4) to tip the scales in your favour. Thanks to the ability to customize your load out before starting a mission you can also tailor your experience somewhat by say favouring sniper rifles over close range spray ‘n’ pray type weapons. For what its worth I usually played with assault rifles and SMGs, preferring to run carelessly into battle while unleashing torrents of bullets at my foes.
Black Ops II, like nearly all other titles in the Call of Duty franchise, has their trademark FPS experience that’s so well polished that it just flows with an effortless grace. All the actions (running, jumping, shooting) just plain work like you expect them to. Whilst many other FPS type games will draw my ire for one core game play issue or another I really do find it hard to find fault with the fundamentals of any Call of Duty game. Arguably this is due to the ongoing success of the series which has been allowed to refine every element over the course of so many games but it still doesn’t fail to impress me, even after seeing it for the 4th time in as many years.
Treyarch has recognized that simply running from point A to point B and shooting everything along the way does get a little boring after a while and has included many different distractions along the way to break up the repetition. Shown above is just one of the many little set pieces they include (this one was actually fairly early on in the game) which was an extremely fun way to start the mission off. They have also included a second mission type called Strike Force which is very different from the usual missions and is more akin to a game like Natural Selection, blending RTS elements with FPS game play.
The Strike Force missions put you in control of a squad of marines, robots and flying drones that you will use to accomplish a mission. They’re all different, ranging from a defend the objective to rescuing and escorting someone out, and whilst you can treat it like a regular mission by taking control of one of the units directly you’ll need to issue orders to the other AIs constantly if you want to finish it successfully. If I’m honest I didn’t enjoy them that much at the start but after a while I really started to get into them, employing varying tactics and just loving being able to play with reckless abandon.
After all this praise I feel its appropriate to mention the few minor issues with Black Ops II that can lead to you having a bad time. Like nearly all FPS games that lump you with AI friends to help you out they are, for the most part, completely useless and will likely cause your death more often than they’ll save it. For instance I’ve seen my AI buddies run around corner and proceeded to think it was completely safe however since most of the other AIs won’t target them, only you, this can often mean that there’s someone hiding around the corner but they won’t trigger until you run into their line of sight. This is in addition to them getting in your way every so often which can cause your death when you’re trying to take cover or, more comically, fail a mission when they put their head in front of your sniper rifle (“Friendly fire will not be tolerated!” apparently).
I also had an issue with some of the triggers not going off, causing the game to get stuck at a particular point. The one I can remember clearly was when I was in the bunker just before the Celerium device. I walked in and reprogrammed an ASD to fight for me but after doing so my crew just sort of stood around, not doing anything. Try as I might to get them to move I simply couldn’t and since there’s no “restart from last checkpoint” option in the menu I opted for the tried and true jump on my own grenade to get back to my last checkpoint. After that everything worked as expected but it wasn’t an isolated incident and its something that’s been present in previous Call of Duty titles.
In a very surprising change to the Call of Duty formula you actually have quite a bit of agency in Black Ops II with the game playing out very differently should you make different choices at different times. They are, for the most part, unfortunately binary but there are other softer choices like completing the Strike Missions which will have an influence on how the last hours of the game plays out. The Black Ops II wiki page (SPOILER WARNING on that link) informs me that there’s no less than 5 separate endings available to you which is far more than you average FPS. That, combined with the fact that they’re not presented to you in Endotron 3000 style means that Black Ops II is quite a step up in terms of story.
The story in and of itself is quite enthralling too, even if the beginning confused me somewhat (although that’s somewhat typical for me in Call of Duty games, if I’m honest). I was nicely surprised by how progressive it seemed as well with many characters being female, including the President, and subtle references to current social ideals like the 99% vs the 1% and so on. After my good mate’s take down of the last Call of Duty’s story and lack of agency I had a much more critical eye on Black Ops II’s story than I have for any other game in the series and it makes me very happy to say that they’ve stepped up their game and my expectations were more than met.
The multi-player is pretty much what I’ve come to expect from Call of Duty games bringing back all the classic match up modes along side the newer ideas like Kill Confirmed. Unlike the original Black Ops which allowed you to choose a server Black Ops II instead uses the same match making system that Modern Warfare 3 did. Usually I’d make a note here about how this sucks (and there are still reasons why it does) but since it works and can usually find me a game in under a minute it’s hard to complain about it. Treyarch has also brought back the much loved Nuketown map which has been revamped for the modern era. They also took it away which led to quite the uproar from the community (many of whom preordered just to get said map) but they’ve since brought it back so kudos to them for listening.
There’s really not a lot that’s new or inventive about the multi-player in Black Ops II that I’ve seen yet with the experience system, upgrades and challenges all being very reminiscent of both Modern Warfare 3 and the original Black Ops. It’s kind of hard to improve on that formula since it works so well but those who are looking for a wholly new multiplayer experience ala Battlefield 3 will find themselves disappointed. However for those like me who love the fast paced, spammy action that maps like Nuketown bring you it’s more the same thing we’ve come to love and I still can’t get enough of it.
Call of Duty: Black Ops II catapults Teryarch up from the doldrums of being Infinity Ward’s poor cousin and firmly places them right at their side, showing that they’re quite capable of delivering a game that’s every bit as epic and enjoyable. The graphics are a great step up, the game play smooth and polished and the story is very fulfilling, a rarity in the FPS genre. The multiplayer might not be much different from its predecessors but it works well and is just as addictive as its predecessors which will see me spending many more hours on it. I thoroughly enjoyed my time both in the single and multi player parts of this game and should you be in the market for some top notch, AAA FPS action then you really can’t go past Black Ops II.
Call of Duty: Black Ops II is available on PC, PlayStation 3 and Xbox360 right now for $89.99, $78 and $78 respectively. Game was played entirely on the PC on Veteran difficulty with 7.3 hours in single player unlocking 71% of the achievements and 2 hours in multiplayer. A review copy of the game was provided to The Refined Geek from Activision for the purposes of reviewing.
In the days before ubiquitous high speed Internet people the idea of having games that were only available when you were online were few and far between with the precious few usually being MMORPGs. As time went on however and the world became more reliably connected game developers sought to take advantage of this by creating much more involved online experiences. This also lead to the development of some of the most insane forms of DRM that have ever existed, schemes where the game will constantly phone home in order to verify if the player is allowed to continue playing the game. The advent of cheap and ubiquitous Internet access then has been both a blessing and a curse to us gamers and it may be much more of the latter for one particular type of game.
Way back when an Internet connection was considered something of a luxury the idea of integrating any kind of on line experience was something of a pipe dream. There was still usually some form of multiplayer but that would usually be reserved the hallowed times of LAN parties. Thus the focus of the game was squarely on the single player experience as that would be the main attraction for potential gamers. This is not to say that before broadband arrived there was some kind of golden age of single player games (some of my favourite games of all time are less than 5 years old) but there definitely was more of a focus on the single player experience back then.
Today its much more common to see games with online components that are critical to the overall experience. For the most part this is usually some form of persistent multiplayer which has shown to be one of the most successful ways to keep players engaged with the game (and hence the brand) long after the single player experience has faded from memory. We can squarely lay the blame for this behaviour at big titles like Call of Duty and Battlefield as most multiplayer systems are seeking to emulate the success those games enjoyed. However the biggest blow that single player games has come from something else: the online requirement to just to be able to play games.
Now I’m not specifically referring to always on DRM, although that is in the same category, more the requirement now for many games to go online at least once before they let you play the game. For many of us this check comes in the form of a login to Steam before we’re able to play the games and for others its built directly into the game, usually via a phone home to ensure that the key is still valid. Whilst there is usually an offline mode available I’ve had (and heard many similar stories) quite a few issues trying to get that to work, even when I still have an Internet connection to put them into said mode. For modern games then the idea that something is truly single player, a game that can be installed and played without the need of any external resources, is dead in the water.
This became painfully obvious when Diablo III, a game considered by many (including myself) to be a primarily single player experience, came with all the problems that are evident in games like MMORPGs. The idea that a single player experience required maintenance enraged many players and whilst I can understand the reasons behind it I also share their frustration because it calls into question just how long these games will continue to exist in the future. Whilst Blizzard does an amazing job with keeping old titles running (I believe the old Battle.Net for Diablo 1 is still up and running) many companies won’t care to keep the infrastructure up and running once all the profit has been squeezed out of a title. Some do give the courtesy of patching the games to function in stand alone mode before that happens, but its unfortunately not common.
It’s strange to consider then that the true single player games of the Internet dark ages might live on forever whilst their progeny may not be usable a couple years down the line. There’s a valid argument for companies not wanting to support things that are simply costing them money that’s only used by a handful of people but it then begs the question as to why the game was developed with such heavy reliance on those features in the first place. Unfortunately it doesn’t look like this will be a trend that will be reversed any time soon and our salvation in many cases will come from the dirty pirates who crack these systems for us at no cost. This can not be relied on however and it should really fall to the game developers to have an exit strategy for games that they no longer want to support should they want to keep the loyalty of their long time customers.
I’m not exactly known for going against the main stream view of a game but for what its worth my opinion is (mostly) formed based on the merits of the game itself rather than the popular opinion of the time. This became painfully apparent after my Dear Esther review and despite my assurances that I was able to put game play aside for a good story (like I’ve done several times before) I feel that many people who read that review don’t believe I’m capable of identifying a good story. Then I came across Journey, yet another game that tentatively pushed at the boundaries of the “game” definition and I thought this could be my redeeming grace. Of course Journey is nothing like Dear Esther as there’s no question as to its status as a game and what a game it is.
Journey opens up with you, a nameless and near faceless individual, standing in front of a vast desert. Apart from some vague imagery of what appears to be a star falling to the ground there’s not much more of an introduction. You’re then given control and shown the basics of movement using the PS3’s motion controls as well as the tried and true dual joysticks. Journey then leverages off your past game experience to drive you to the next goal (a close by hill) upon which the ultimate goal is shown, a giant mountain from which a pillar of light is emanating. You will spend the rest of the game attempting to reach that point.
The art direction of Journey had me first thinking that most of it was cell shaded but it is in fact just heavily stylized. Whilst the characters and scenery are usually quite simple the environment which you play through is quite vibrant and dynamic, especially for a place like a vast desert. At the same time the foley and sound direction is magnificent as they compliment the visuals quite aptly. Indeed one of the best aspects of Journey is the seemingly perfect combination of visuals and sounds, timed perfectly to evoke your emotions in a certain way at specific times.
Whilst the game play of Journey is undeniably there, thus firmly separating it from other experimental titles, it’s quite simplistic yet thoroughly satisfying. If I’m honest I went into this expecting Dear Esther levels of game play: I.E. nothing much more than exploration. You’ll spend a great deal of time in Journey exploring the areas but that’s far from the main game play mechanic which centres heavily around the idea that you main character can fly, albeit for a limited time.
The little tassel on the back of your character is your flight timer. You can jump and then fly to great heights but as you do the symbols on your tail start to burn away. When they’re depleted you’ll fall back to the ground and you’ll have to look for places to recharge it. Thankfully these are plentiful, either taking the the form of stationary points or animated cloth animals that will follow you around, recharging you as you go. You can also increase the length of your flight time by finding glowing orbs that are scattered around the place and the end of each level will let you know how many of the potential orbs you collected before carrying on.
Where Journey really starts to shine however is when other people start accompanying you on your journey. I remember my first encounter clearly: after finishing a level and proceeding to walk through a long hallway to the next I spotted movement off in the distance. I was going to back track to look for more orbs but the way the figure moved seemed… different to everything else. Excited I followed after them and when I got to them it was clear that there was another person behind that controller. Where it really got interesting though was when we tried to communicate to each other, being limited to only short bursts of sound. This meant that cooperating had to be somewhat instinctive, but you’d be surprised how much you can say with only a simple means of communication at your hands.
The multiplayer aspect, whilst not an essential part of the game play, does lend itself to some awesome emergent game play. When your characters are close to each other you slowly recharge each other’s flight time and you can recover it fully with single communication ability you have. This means your flight time can be extended indefinitely if you and your partner work together allowing you to gather many of the glowing orbs thus increasing your flight time again. Towards the end I had an extremely long tassel that allowed me and my partner to reach unfathomably large heights with relative ease. This made many parts of the game much easier and also served as something of a bragging right when I was joined by someone with a shorter tassel.
Journey has not a single line of dialogue, instead relying on cut scenes that tell a story through a series of brilliantly done hieroglyphics. They didn’t make a terrible amount of sense for me at the start but as you progress a grand story of a society that rose from the desert only to fall down again. The pictures start off in retrospective, highlighting things that had happened in the past that lead up to the world as it exists today. About half way through the hieroglyphs start turning prophetic, telling a story that seems to be eerily close to yours as it is happening right now.
Ultimately the story that’s told without a whiff of dialogue or text is amazingly satisfying. Whilst its not a gripping emotional conclusion that I’ve felt for similar story based games in the past it’s definitely fulfilling and thankfully steered clear from any notion that there might be a Journey 2 (and however they’d follow up Journey is an exercise I’ll leave to the reader). Showing you the names of people you shared your journey with along the way is a really nice touch and I was devastated when I found out that my video capture software had crapped out halfway through and those names were lost to the ages.
Realistically the only fault I can level at Journey is the price as at $20 on a game that I can’t share with my friends that only lasts 2 hours seems a tad steep. I’m sure it will eventually come down a bit in price and there’ll be something of a renaissance of people playing Journey again but until then I wonder how many are willing to take the rather steep plunge to play through it.
There’s few games that have made me smile the way Journey did, both at the beginning with a child like wonder at the amazing world that was presented before me to the ultimate conclusion that was a beautiful metaphor for the grand cycle of life and death. Everything about Journey just seems to meld together so well, from the art to the music to the game play. I could go on but realistically Journey is something that you need to experience for yourself.
Journey is available on PS3 exclusively right now for $20. Total play time was approximately 2 hours.
I’ve never been much of a fan of city building and strategy games. I mean sure I grew up playing games like Sim City and Age of Empires much like the rest of my generation and I’d be lying if I said I didn’t enjoy them, but as time as went on I found myself playing less and less of them, instead favouring other genres. I think this is due to the somewhat slower game play style, one that favours a decisive methodical approach that’s usually at odds with my “just entertain me” thought pattern. Still Anno 2070 managed to catch my eye with its curious blend of city building and real time strategy, something I hadn’t really come across before.
Anno 2070 puts you far into the future where the polar ice caps have melted, flooding the entire world. Because of this the world has united under one singular government with three distinct factions. The first is the Tycoons, a capitalistic consortium that look to rebuild the world as fast as possible regardless of the consequences. The second is the Ecos, an environmental movement who share the same goal as the Tycoons but favour sustainable approaches over expansion at any cost. Finally there’s the Techs, in essence a group of scientists who develop much of the technologies that power both the Tycoon’s and Eco’s economies. You are put in charge of an Ark, an advanced submersible craft that’s capable of restarting civilization on the uninhabited islands of the world. Anno 2070 follows your adventures as you rebuild civilization and do battle with the various problems that cross your path.
The graphics of Anno 2070 are visually pleasing to say the least, providing a level of eye candy that I haven’t seen in this genre before. Much of this owes to the soft glow that seems to surround everything, giving a soft blur that makes the graphics appear much better than they actually are. The camera work done for the cut scenes in Anno 2070 is also quite good with many scenes having a distinct movie feel to them. As an added bonus all this doesn’t seem to put too much strain on my gaming rig as even when I had hundreds of buildings on screen the game was still buttery smooth, something that the developers behind Anno 2070 get a lot of brownie points for.
However Anno 2070 falls into the lazy trap of nothing bothering to do any kind of lip syncing at all, not even for the voice acted parts. This really irks me as it’s not exactly a hard thing to do and Anno 2070 just doesn’t even bother, the characters just randomly flap their mouths while the sound bite plays. You may think this is being overly harsh but I watched my friends almost a decade ago accomplish near perfect lip syncing when they were doing a 3D animation course. When a game doesn’t bother to do this I can’t help but feel they had lazy animators, especially when there’s not that much more animation in the rest of the game. The voice acting, whilst passable, doesn’t really help matters here either.
As I alluded to earlier Anno 2070 is a curious blend of Sim City/Civilization city building style mechanics coupled with elements of real time strategy. The campaign missions serve as a good introduction to these mechanics, introducing each of them slowly so you can get a feel for them, and after the first couple missions I had a pretty good grasp on what I needed to do. The two different genres are heavily intertwined, as I’ll explain below.
The first part is the city building. You start off by dropping a warehouse on an island which gives you an area to construct non-residential buildings in. After that you can then drop a community centre which allows you to build homes for people to live in. These people have needs which take the form of food, drink, community and so on. Should you satisfy all their needs the buildings will then upgrade to the next level of citizen, one that has more nuanced needs but also generates more income for you. There are 4 distinct levels for each race and each level brings with it new buildings that are bigger and better than their previous ones.
However you’ll never be able to find everything you need to get to the highest levels by using just one island. All of the islands have natural resources on them that can be exploited but its guaranteed that one island won’t have everything you need. That’s when ships and trading routes come in, you can use them to ferry resources between islands. At the same time you’ll probably want to expand your population there, because otherwise you won’t be able to pay the upkeep on the ships. Of course those people have needs to, which the island probably doesn’t have, so you’ll have to use those same ships to start ferrying resources to them as well.
It’s really quite incredible how much effort you have to put in to make sure everything stays balanced so that you don’t run out of money or that you residents leave you. In the one multiplayer game I had with a mate of mine it was an intense 4 hour session of bouncing between islands ensuring that all the needs were met, ultimately unraveling before me as I underestimated just how costly satisfying the highest level resident’s desires would be. We didn’t even get to the other part of the game, the real time strategy component.
Whilst the main focus of Anno 2070 is the city building the RTS side of it is just as important if you’re looking to win. Whilst its not as complex or nuanced as say StarCraft II it can’t be ignored either as one combat ship can make you life rather painful if left unchecked. The final missions of the campaign focus heavily on this and whilst you won’t be spending all your time focusing on the combat it’s still enough to break up the monotony of constantly balancing the needs of your populace with the costs of doing so.
On top of all of this is the ancillary activities which can change the way you play your game. There’s regular votes for the world council with the outcome granting certain bonuses. A World Event is always happening that will reward players who complete it based on the number of people who participated in it and there are Current Events that can be completed for rewards from certain factions. For someone who’s a fan of the Anno series or just this instalment this kind of thing would be a veritable gold mine of additional content, further extending the replay value of Anno 2070.
Anno 2070 represents an interesting fusion of genres that you don’t usually see coming together and manages to pull it off surprisingly well. With the pleasing graphics, intricate game play and wealth of content Anno 2070 is definitely one of those games that won’t disappoint traditional PC gamers. The experience isn’t perfect however, what with the terrible lip syncing and ridiculously long play times for multiplayer games. Still for the price I paid I’d consider it a winner and I can see it being busted out at LANs for those looking for a Civ style fix without the minimum 8 hour time commitment.
Anno 2070 is available right now on PC for $20.99 (or $90 on Steam). Game was played entirely on the PC with around 16 hours of single player and 4 hours of multiplayer.
As game releases goes it doesn’t get much bigger than the Call of Duty series. The most recent instalment in the series, Modern Warfare 3, was released just last week and has already sold a whopping 6.5 million copies. That number doesn’t include sales outside of the USA or the UK and even that’s enough to make Modern Warfare 3 the biggest entertainment release of all time across any medium. Considering that Modern Warfare 3’s predecessors also set records of similar calibre in their time it should come as no surprise that they were able to do it once again. The question remains though are those sales figures indicative of something innate about Modern Warfare 3 (I.E. is it actually a good game) or merely a product of solid marketing? For the first time on The Refined Geek I was sent a copy of this game to review and I’ve spent the past week diligently doing so.
Modern Warfare 3 drops you hours after the events that unfolded in Modern Warfare 2 with Soap slowly dying whilst you, playing as one of Nikolai’s best soldiers Yuri, attempt to help save him. Meanwhile World War 3 is still continuing and you’ll then play as Frost one of the members of Delta Squad who’s been charged with driving the Russians out of New York by using one of their own attack subs against them. Throughout the single player campaign you’ll switch between Frost, Yuri and (towards the end) Price as you play out different parts of the larger story arc.
Now I’ll be honest here, when I reviewed Battlefield 3 a week ago I criticised its single player for being tedious but I couldn’t shake the feeling in the back of my head that I’d been overly harsh on it. For the most part I figure that was because I was expecting too much for the single player when at its heart Battlefield 3 is a multiplayer game just like Modern Warfare 3 is. However the differences between the two games single player campaigns could not be more stark as right from the get go Modern Warfare 3 sets the stage for action packed, run and gun fun. It only took me half an hour with Modern Warfare 3 to realise that Infinity Ward are extremely adept at crafting an epic cinematic experience, one far superior to that of Battlefield 3’s single player.
Indeed the set pieces you’ll play in are quite spectacular. The environments you’ll play in are quite varied, ranging from towering city scapes to the vast depths of a Russian diamond mine. Whilst many of the campaign scenes form the basis of the multiplayer maps they are thankfully not the same maps like in Battlefield 3. For the most part the single player sections of Modern Warfare 3 are quite intimate with most taking place in what can be most aptly described as a giant corridor. It’s not a particularly bad thing but compared to Battlefield 3’s expansive environments it can leave you feeling a little wanting for the giant environments of yore. Still they’re usually littered with alternative paths which open up all sorts of different tactics.
Combat in Modern Warfare 3 is polished to the point of perfection. Whilst the cover based regenerative health style of game play is far from inventive Infinity Ward has it down to a T so well that the only complaint you can have about it is the unoriginality. The NPCs that accompany you, whilst not being on the same level as a real human, are not the next to useless meat bags that plagued me in Battlefield 3. Combine these with weapons (and on occasion awesome gadgets like the UGV pictured above) and the combat is satisfying, gritty and above all just plain fun.
If there was one genuine complaint that I’d level at Modern Warfare 3’s combat is actually too easy. Now according to my time with Robert Bowling each of the platforms recieved the same amount of development time which kind of rules out my theory that the PC version is a well polished port that dumbs down the difficulty for those who have to aim with their thumbs. Now I didn’t play the game through on its hardest difficulty, opting for Hardened or whatever the second hardest was, but this is a complaint I’ve heard echoed by several other people who have played on the hardest setting. It could be argued that this lack of difficulty is one of the things that adds to the enjoyment of the game (and indeed it does mean that it’s a very well paced game) but it does make Modern Warfare 3 stand out as something aimed more at new comers to the series rather than seasoned FPS gamers like myself.
Thinking about it more there are quite a few signs that Modern Warfare 3 tends much more towards the playable movie side of the spectrum than your traditional FPS title. You’ll spend the entire game following someone and taking their orders rather than being let out on the loose by yourself to try and accomplish the mission. If you dare to deviate from the carefully constructed plot you’ll usually be greeted with a mission failed or flooded with waves of enemies you can’t hope to defeat. In that sense then if you think of Modern Warfare 3 as a playable movie more than a game then it accomplishes that quite well, even if that’s counter intuitive to what you’d expect from a game like this.
Overall the single player is a great way to blow 4~5 hours and whilst it might feel like you’re on rails and everything is a tad too easy ultimately I found myself having a blast playing the hero in Modern Warfare 3. One of my friends captured the essence of Modern Warfare games aptly by saying they’re like a Matthew Reilly book: an action packed read with a plot that’s nothing deep but enough to get you by; an afternoon of solid entertainment. Of course everyone knows that the single player is just a mere distraction on the road to the real reason why everyone buys the Modern Warfare games: the multiplayer.
Honestly at first I was thoroughly confused with the multiplayer in Modern Warfare 3. Sure I had played it back at the preview a couple months ago and nothing had really changed in the interim (as far as I could tell) but the differences between Treyarch’s and Infinity Ward’s style of multiplayer is quite stark. For starters nearly everything in the game has a level attached to it from weapons to perks to you the player. At the start this is somewhat overwhelming especially when you consider that the built in classes have access to weapons and perks that you can’t unlock until later levels. Indeed you can’t create your own class until level 4, leaving you to stumble through the first few without a class that you created. For someone who got kind of used to making his own choices this was a bit irritating, but it didn’t last for long.
Levelling in Modern Warfare 3 is incredibly fast paced with rewards, unlocks and achievements being thrown at you constantly for doing almost anything in the game. Unlike Black Ops where you’d spend in game cash to buy upgrades for your weapons they’re instead unlocked progressively as you use the weapon in multiplayer matches. This is good and bad as you don’t have to worry about not having the cash required to get the upgrade you want but it also means that the best upgrades are reserved for those who use the weapon the longest. You see I found it quite fun in Black Ops to be able to switch to a completely new weapon and deck it out fully before diving into another game with it. In Modern Warfare 3 this isn’t really possible as I’d instead have to grind out that weapon in order to fully unlock it. The result is you pretty much stick with one weapon until you unlock the next best one, which can take a little while. All that being said though it only took me about 4 hours of play to reach level 22 which isn’t bad considering the level cap is 80.
What did disappoint me however was the lack of dedicated servers for ranked play. You see with Black Ops you had the familiar server browser where you could find the servers you wanted to play on and go play there. Modern Warfare 3 brings back the dreaded peer to peer system for ranked play and leaves the dedicated servers for strictly unranked play. I can understand why this decision was made but the fact of the matter is that peer to peer multiplayer is a sub-par experience for PC gamers. Whilst initially I found it to be trouble free the last couple hours saw many host migrations with several of them ending with me being disconnected from the game completely. Black Ops (and Battlefield 3) had none of these issues and they also don’t seem to struggle with hackers on their servers either. It’s unfortunate that Infinity Ward choose this direction again but it looks like they’re set in their ways with this one.
Call of Duty: Modern Warfare 3 stands as a testament to Infinity Ward’s ability to produce AAA titles time and time again. Sure they’re unoriginal and formulaic but they’ve got that down so well that when you start playing them all those thoughts melt away a cacophony of explosions, explicatives and enemies. The multiplayer is, as always, thoroughly enjoyable and the persistent levelling system will see me playing it long after this review is written. It’s not all roses however and the things I’ve panned Modern Warfare 3 for could have easily been averted by Infinity Ward. Overall Modern Warfare 3 is a great game and I wouldn’t hesitate to recommend it to long time Call of Duty fans and new comers alike.
Rating: 8.5 / 10
Call of Duty: Modern Warfare 3 is available right now on PC, Xbox360 and PS3 right now for $89.99, $79 and $79 respectively. Game was played entirely on the PC on Harderned difficulty with 4 hours and 37% completion. 4 hours of multiplayer was also played with majority being spent in the team deathmatch mode. A copy of the game was provided to The Refined Geek for the purposes of reviewing.