Kickstarter, Early Access and all the other tools that enable developers to get an idea in front of players before it’s fully formed are both a blessing and a curse. They’ve brought a lot of ideas to reality that otherwise wouldn’t have happened otherwise, bringing us unique game experiences that have helped shape the medium for the better. On the other hand they have also seen many great ideas fall prey to the tyranny of the crowd or the popular idea of the day. That is the fate that has befallen We Happy Few, a game I Kickstarted back in 2015 as it is not the game I remember backing all those years ago. The mechanics that drew me to the it initially, taking a new approach to how stealth games could function, and the intriguing narrative they sought to craft were usurped by a procedurally generated survival sim. That’s not what I, nor I think a lot of their original backers, were seeking to support.
You are Arthur Hastings, a redactor working for the Wellington Wells’ Department of Archives, Printing, and Recycling whos job is to censor and approve old news articles to make sure that only good news makes it to the good citizens of your town. In completing your job though you come across an old news article of you and your brother and suddenly it dawns on you: the whole town did a Very Bad Thing a long time ago. You refuse to take your joy and quickly discover that the town of Wellington Wells isn’t all it appears to be. Not long after skipping your prescribed medication you’re chased out of the town and find yourself among the downers, the ones who can’t or won’t take their joy. You resolve yourself to find your brother by any means necessary, even if it means remembering what that Very Bad Thing was.
We Happy Few’s graphics are heavily stylized, taking a lot of inspiration from other retrofuture games like Bioshock. The game’s visuals are at their best in the city when you’re on Joy, the vibrant and oversaturated colours really selling the idea that none of this could possibly be real and it’s all a drug induced fever dream. Unfortunately the first few hours of the game have you out in the more drab areas which are nowhere near as interesting visually. The graphics are also more inline with previous generation games, something which isn’t completely unexpected given how long it has been in Early Access. It’d probably be a little less noticeable if the procedural generation was a little more varied with the supposedly “random” bits usually consisting of the same building blocks and NPCs repeatedly. All this being said it does run particularly well, even with a lot of things on screen, so it’s got that going for it at least.
From a gameplay perspective it’s neither a true survival game nor a traditional single player RPG as it takes cues from both. You have your usual survival mechanics like food and water but they’re not critical to keep up, you’ll just have a few negative buffs applied to you if they run out. Progression comes in the form of a very traditional XP and talent system with weapon and gear upgrades coming from crafting. The world you’ll be running around in is mostly procedurally generated with certain fixed areas for story missions and the like. There’s a small smattering of open world things around as well with random encounters and side missions scattered around the map. All in all whilst it’s a pretty comprehensive game there’s a noticeable schism between the handcrafted parts and the world that the procedural engine generates. Honestly there’s large chunks of the game I think that could be wholly abandoned which would make for a much tighter experience but unfortunately I don’t think that’s ever going to happen.
Combat takes the form of the typical first person melee style, along with all the issues that come along with that. All your weapons have durability as well, meaning that you’ll need to carry an array of different implements to ensure you can whack your way out any situation you find yourself in. The game is most certainly designed with stealth in mind so it’s somewhat understandable that the combat didn’t get as much love as it should’ve. It does make for an unfortunately frustrating experience when you don’t have much choice in whether you can fight or not. On the plus side though you can walk/run faster than anyone else in the game so realistically there’s not much stopping you from simply legging it to a safe spot if you ever find yourself in a pickle.
The stealth system is much better than other comparable games although given it was meant to be the game’s flagship feature it is a bit of a let down. The traditional stealth mechanics all work as you’d expect like hiding in tall grass, getting out of line of sight and NPCs being able to be distracted by thrown objects. The social stealth system however is the real disappointment as it was originally billed as a balancing game of using Joy in order to blend in appropriately. The long and short of it is that you don’t really need to take Joy at all unless there’s a specific progression blocker for it. You can freely walk around the towns off your joy and no one will say anything and the cameras that detect you can be easily run past without causing too much of a fuss. I had hoped that once I got back into the town proper the game would start to pick up a bit with the additional mechanics at play but unfortunately it didn’t.
Progression comes in random bursts, typically at the end of story missions. Doing anything in the open world doesn’t seem to reward you with much as I never appeared to level up when I was traipsing around so in the end I just gave up on it. Crafting is also a bit of a crapshoot too as whilst you can carry a lot there’s not a lot of useful things for you to make. There’s blueprints for you to track down but honestly I never found anything worthwhile in them. That, combined with the utter lack of accessible stashes, means that you’re often carrying around a ton of useless stuff that you feel like you need to hold on to “just in case”. I toyed with the idea of tracking down a mod for the game to lift the inventory limit but frankly at that point I was already done with what We Happy Few had to offer.
The story was probably the standout part of We Happy Few which is a shame that it wasn’t given a better vehicle to shine. You see with all the running about between missions through repetitive procedurally generated terrain the pacing of the story gets completely lost. There are numerous memorable scenes, even in the game’s opening moments, but they’re then lost when it takes you half an hour of wandering about to get to the next small tidbit. The voice actors should be commended for the incredible job they did with making the characters come alive as it was during those moments that I really started to feel like there was something to like in We Happy Few. Maybe I should’ve just watched a stream of the game instead.
We Happy Few is a game that started out with a great concept that unfortunately failed in its execution. The grab bag of mechanics coupled with the procedurally generated open world meant that there was no real single driving force that pushed me to keep playing more. Instead I felt like there was just too much time between the games stand out moments, taking a bat to the story’s pacing and, most unfortunately, my enjoyment of it. I really do hope that some of the remaining games I’ve Kickstarted don’t go down a similar path as I’m beginning to lose faith in my ability to pick good ideas when they’re at such a nascent stage of their development. Hopefully I’ll be proven wrong soon.
We Happy Few is available on PC, Xbox One and Playstation 4 right now for $84.95. Game was played on the PC with 3 hours of total playtime and 8% of the achievements unlocked.
The term “Dark Souls-like” has lost a lot of its original meaning; now being applied to nearly any game that’s somewhat challenging and includes a death/recovery mechanic. Using that term to describe a game is usually part of its marketing campaign, hoping to draw in a percentage of the Dark Souls crowd with the promise of a similar experience. Such is how I first came to know about Below, the latest title from Capybara Games, which promised a fresh take on the genre. Whilst it does include many of the trappings of the games that inspired it Below’s added mechanics do nothing to improve the experience, instead turning it into a slower, less rewarding experience that simply bored me. There might be something buried deeper within the game that might interest me but I simply didn’t find enough to keep me interested past the first couple hours.
Below is a tale of a string of adventurers who venture to an island and set about exploring what lies below its surface. There is only ever one of them and should one die another will arrive to take their place. As I understand it there’s more to the story, potentially locked behind the game’s main collectibles or maybe in other areas I didn’t explore but I simply didn’t have the patience to find out. That could partly be due to the game’s irritatingly long opening cutscene which adds nothing to the story and only serves to make you think the game is stuck trying to load.
The game’s visuals are simple, utilising the low-poly aesthetic that has proven popular over the last couple years. It’s also very dark 90% of the time with much of the environment hidden from view. This is then cast in stark relief when there’s any kind of lightsource, illuminating a world that’s brimming with colour and detail. Whilst the decision to hide much of the environment away from you is purely a mechanical one (which is core to the game) it is a bit of a shame that the game’s beauty is hidden from you. That being said when the game does showcase itself to you through the use of generous particle and lighting effects the results are quite stunning.
At its heart Below is a roguelike, throwing you into procedurally generated environments that you reveal as you wander through them. Everything is dark, something which you can alleviate through the use of torches or your lantern, the latter of which consumes gems that enemies drop. In addition to the standard health gauge you also have 3 others: food, water and heat. The first two deplete slowly over time, needing to be replenished by finding a water source or finding food respectively. The last only comes into play in certain sections and will deplete quickly, needing to be refilled by sitting next to a fire. There’s also a crafting system, enabling you to fashion numerous helpful items including elixirs that will give you certain benefits for a short time. All in all whilst Below is a simple game on the surface there’s certainly a good depth to the mechanics. The main problem is that they’re just not particularly enjoyable.
Combat is a pretty straightforward affair as you’re equipped with a sword and shield that function as you’d expect. Most enemies in the beginning simply run at you and die in a single hit but they quickly evolve into more complex enemies with varied movesets. The health system is a little different in that taking damage will turn part of your health red which, if you’re quick enough, can be bandaged up. However to recover health that’s been completely lost you’ll need to find food. It’s definitely on the challenging side but it didn’t feel as punishing as the Souls games were when I first started playing them. Combat isn’t what bored me about Below though, it was the exploration and survival mechanics.
Exploring the levels is meant to be part of the challenge, and that I’m on board with, however having to go back through them to find level keys or other things in order to progress is a real chore. This is made worse by the fact that when you die the level gets regenerated again, meaning you have to not only fight your way back to your body at a disadvantage, the path to get there won’t be the same. This made death more of a chore than I felt it needed to be, even when I had the closest bonfire available for me to travel to. I didn’t even die that many times during my time with Below either, maybe 2 or 3, but even that was enough for me to want to stop playing.
The survival mechanics only exacerbate that issue, forcing you to dedicate even more time to keeping those meters filled. The water one is usually easy enough, either you just need to remember where a pool was or keep plodding along and you’ll eventually find one, but the food is a different story. It seemed early on in the game I’d get enough to keep me going, not enough for a large stockpile but sufficient to ensure I wasn’t constantly in peril, but later on that petered out completely. Even hunting everything in sight didn’t net me enough food to stop me from starving, clocking up another death because I simply couldn’t find enough food. Sure, this could be RNGesus screwing me over just that once, but that’s exactly the reason I usually steer clear of Roguelikes. Reading through other reviews it seems I’m not alone in feeling this way either, so hopefully the developers address it (maybe even make a mode that has it removed and blocks your achievements or something).
Below is a mechanically deep and well crafted game that struggles to capture your attention. The environments are truly beautiful, something which is unfortunately only revealed to you in fits and starts when you’re able to use a precious light source to see them. Combat is simple but challenging enough to be rewarding which is a hard balance to strike. Unfortunately the real let down of the game is in the exploration and survival mechanics that do little more than add tedium to the game. This is why I put it down after just 2 hours of game time, I simply couldn’t drive myself on with it any longer. Perhaps there’s something beyond level 4 that might’ve enticed me to stay but I’ll never know.
Below is available on PC and Xbox One right now for $22.49. Game was played on the PC with a total of 2 hours playtime and 50% of the achievements unlocked.
Survival sandboxes have never really been my cup of tea. I get the appeal, crafting your own story however you see fit, but if I’m going to engage in the kind of repetitive activities that most of them make you do I’ll go back to my MMORPGs (at least I can get those SWEET SWEET PURPLES). However I’ve long had a large group of my friends pester me to play some of them and whilst I’ve inevitably left most of them behind one managed to get its hooks deep into me. As you’ve likely guess that game was Subnautica, one I had avoided for its entire life until it came up in conversation once again. With my dumpster diving in the Steam new release section wearing me down I figured it was time to try something that had a better chance of capturing my attention. Boy, did it ever.
Subnautica takes place in the far future, putting you in control of an unnamed protagonist (well I never figured out his name, but apparently it’s Ryley Robinson) aboard the spaceship Aurora. As you’re approach a planet your vessel is struck by an unknown energy pulse, sending it tumbling down to its surface. You manage to escape aboard one of the ships escape pods and upon landing find yourself stranded in a vast ocean. The aurora crashed close by, its reactor heavily damaged and spewing untold amounts of radiation into the surrounding environment. Your life pod has all the basics to keep you alive but you’ll have to draw on the resources on the planet if you’re ever going to make it off. What follows is a tale of survival that you’ll largely define yourself although it’s clear that this planet is hiding a secret that you’ll need to understand if you’re ever to get off it.
For a Unity based game Subnautica sure is a pretty one, making full use of all the features available to the engine. The level of detail could be tuned a little better as quite often you’ll see a lot of asset and texture pop-in. This wouldn’t be so bad if you weren’t so reliant on those details to navigate yourself around and locate the things you’re looking for. There’s also quite a lot of simulation going on, even for stuff that’s no on screen, which means as your time in game stretches on your performance is likely going to start taking a bit of a dive (pun…yeah intended). I definitely enjoyed the slightly simplified, stylized art direction that they took for this game though, especially with the huge variety of different environments you can find yourself in. That’s only made better by the great voice acting, sound track and substantial foley work that went into rounding out the rest of the experience. Overall, whilst Subnautica might still have a few Early Access rough edges to polish out, it’s definitely one of the better looking games I’ve played this year.
In the heavily oversaturated sandbox survival simulator genre Subnautica stands out as the one that went full in on the nautical theme. Sure you’ve got the standard things that you’ll need to take care of like food, water and health, but all the progression mechanics are based around diving to deeper depths in the ocean world you find yourself stranded on. All the things you craft will either help you stay underwater for longer, move faster so you can explore more or craft vehicles that will allow you to go on longer and longer journeys. You’ll also build yourself a base (or twenty) to generate and stockpile resources, build upgrade stations and serve as a place of respite between your expeditions. All of this is in aid of exploring as much of the map as you want and by golly there’s quite a lot of it. More impressive is that it’s all hand crafted too and often updated so things aren’t always where you (or people on the forums) expect them to be. Driving all of this is a kind of campaign story that also entices you to dive to deeper depths whilst revealing to you the fates of your fellow crew and the efforts that are being undertaken to rescue you. Suffice to say there’s quite a lot to do, so much so that I lost almost 30 hours to it without really trying.
Exploration is the main aim of the game and for the most part Subnautica does it well. The game does a good job of giving you a safe area to explore around in initially, one that isn’t too demanding and gives you a decent intro into the main mechanics. A more directed tutorial would’ve been nice as it’s not completely obvious where you’d go about to find certain materials, making those first few items a bit of a chore to get done. Once you’ve got a few basics completed and some form of vehicle built though things start to progress a little faster and the campaign missions start coming thick and fast. Things can get really non-linear though as somethings will likely be easier for you to find than others. For instance I had a Seamoth fully completed before I managed to get everything together for a Seaglide, including having the blueprints for the powercell charger before I had the respective ones for my batteries. Similarly it took me quite some time to track down the multi-purpose room (yeah I know, I know, I didn’t explore the island enough) which limited my capabilities somewhat for a good few hours.
The crafting system is deep and rewarding, giving you ample things to shoot for throughout the course of the game. It’s almost always worth picking up as many crafting materials as you can carry as you’ll never know when you’ll next need them to craft the next upgrade. Probably my biggest gripe with the whole system is that the various drop rates for different materials doesn’t seem to be inline with the amount you’ll need. For instance diamonds, lithium and gold all drop from shale outcrops but always ended up with more diamonds than I needed and little of the precious lithium which seemingly all the higher end upgrades crave. Things only get worse with higher end materials, especially if you’re like me and built your base in the safe shallows near the escape pod (since that’s where I had all my stuff). Of course I could’ve built another base further out if I so desired but honestly the amount of times I had to dive back out to get more titanium meant that I’d probably be doing just as much travel no matter where I decided to put down my roots. If they ever add something like a mining rig which produces some of the minerals from that depth I think that’d make the whole experience a little better, at least for people like me who don’t really want to grind a lot in a single player experience.
I didn’t spend too much time on building out my base, basically just fleshing out the bare necessities I needed and a few other things to make my life a little easier. It took me a while to understand the whole structural integrity thing and how other modules affected it. I think that’s part of the experience though as there’s a whole bunch of mechanics based around not doing it properly (those who’ve played that will know what I mean and yes, I did do that, multiple times). I did engage in a little mobile base building towards the end of my play time though, keeping enough resources with me to be able to build a single multi purpose room, a hatch, two power cell chargers and a nuclear reactor. I only ever ended up using it once (and discovered a limitation I didn’t know of, you can’t remove the reactor rods) so it was probably not completely needed. Still it was a nice little safety assurance to have.
I almost gave up on Subnautica after I finally built my cyclops as I wasn’t particularly interested in the effort required to kit it out and transfer all my stuff into it for the long journey into the deep. However I just went and did that for a couple hours one night, fully equipping it with everything I’d need to make the long journey down. Honestly I think the amount of effort I had to go through to do it suddenly made the whole thing feel a lot more worthwhile; this wasn’t something that you could just blast your way through. No if you wanted to see the story through to the end you’d have to equip yourself with all the things you’d need as coming back might not be possible. Whilst I didn’t go as crazy as some people did I had more than I ever needed for the long journey down and boy, that was some intense gaming.
Going from piloting the Seamoth and Seaglide the Cyclops is an exercise is slow, steady precision. Of course the first thing I did was to put it up to full speed to see what it was capable of and promptly caused massive cavitation, damaging my propeller and causing a fire. It was then I realised that this vessel wasn’t built for speed but endurance and I’d have to be very careful how I handled it going forward. Once you get a handle for it though the cyclops is very maneuverable and is nigh on invulnerable to you bashing it around. Creature attacks are a different story however and once you’re in the deepest depths it becomes a real balancing act of movement speed, damage from creatures and how much charge you’ll lose if you don’t find all those fscking Lava Larva that have attached themselves to the outside of your ship.
Given that Subnautica has been out for about 4 years now most of the egregious bugs have been fixed but a few still remain. Lockers and other interactable items can glitch out on you if hit a hotkey when you’re interacting them, preventing you from interacting with anything and hiding your HUD from you. This can usually be fixed by walking away or just spamming buttons but it is rather annoying when it happens. Hitboxes can also be a bit iffy, like when you’re trying to say interact with a part of the Seamoth and end up entering it instead. Base building too can be a little weird, like when you place 2 multi-purpose rooms on top of each other. The green indicator would make you think that everything is fine but no, there is actually a wrong way to do it which will prevent you from putting in a ladder between them. There’s also the performance and LOD detail issues I mentioned before, something which I would have expected to be fixed by now. None of these things are game breaking experiences and all of them are things I think will be fixed in due course.
Subnautica was sold to me as the kind of survival game I’d be able to get into because of the story and, by and large, I’d agree with that. To be sure the first 8 or so hours were quite engaging because there was always an objective for me to go to, one that would show me a bit more about the world. After that though things started to get a little thin on the ground. Sure there were a few tidbits here and there but for the next 14 hours or so I was in something of a narrative hole. That picked up swiftly towards the end of the game with the last 6 or so hours filled with a lot more excitement, especially towards the end. If I was playing more efficiently I’m sure the story would have felt a lot better paced but even for a min-maxer like myself, one who was routinely consulting with the wiki and forums, I don’t think a genuine first playthrough could be done much quicker. With that in mind I’d like to see another 4~5 hours worth of story content to help drive things along as I’ve heard a lot of people drop the game as they get their cyclops which usually coincides with the dearth of story elements. All that being said though I thoroughly enjoyed Subnautica’s story and would happily recommend it to people who’d traditionally shy away from games in this genre.
Subnautica was one of those games I went into thinking I wouldn’t like it and was gladly surprised to be proven wrong. There’s always this sense of just needing to go a little deeper to find that next thing, whether it be story related or that item you need to make your life that much easier. The story that plays along helps to keep you engaged as you scrape together the upgrades you need to get to the next chapter. There’s still a few rough edges from its Early Access days, including a glaring lack of story for a good half of my time spent in it, but these aren’t things I think are beyond fixing. So it seems my friends were right, this is the kind of game for people like me who’ve given the whole survival genre a miss because we do like a good story that we don’t craft ourselves. Subnautica seems to strike the right balance here, giving you ample room to craft your own tale whilst giving you a trail to follow if you so wish. Whilst the AAA drought is soon to be over it’s still probably worth giving Subnautica a look in as it really is worth the time, especially if you can get through to the end.
Subnautica is available on PC, PlayStation 4 and Xbox One right now for $24.99. Game was played on the PC with a total of 29 hours playtime and 82% of the achievements unlocked.
Games, as a whole, have come a long way when it comes to giving the player real control over how the narrative develops. Gone are the days of the simple binary choices, instead we’re treated to branching dialogue trees and emergent gameplay mechanics that allow us to craft our own narrative experience. Often these choices are tied into the concepts of ethics and morality, giving you choices between good and evil (or somewhere inbetween). It’s rare that story choices will have an impact on the game mechanics themselves though, something which Frostpunk (from the creators of This War of Mine) does exceptionally well. Whilst a scenario based city builder likely isn’t everyone’s cup of tea 11 bit Studio’s latest release stands out as one of 2018’s more intriguing titles to date.
The world has been plunged into a new ice age, freezing the oceans and forcing many to abandon their homes. We’ve known about this for some time however and teams of our best scientists and engineers were sent north to figure out a solution. Their hope lied in the Generators, massive coal burning behemoths capable of generating the heat required to keep a colony alive. However, upon arrival, you find the generator cold and lifeless, the teams you sent months ago nowhere to be found. It seems you, as the captain of this expedition, are all that stands between your colony and a bitterly cold end. Are you up to the task of making the hard decisions to keep your colony alive? Or will you, like the others before you, perish in the unrelenting winter that now grips the world.
For a game with such a bleak and dystopian setting Frostpunk is a gorgeous game, both in terms of the graphics but also in terms of the UI and other 2D design elements. I initially had some performance issues with it which I tracked down to it rendering at 4K resolution by default. I’m not entirely sure what caused this but after adjusting it to a more sane resolution (1080p) everything ran extremely well. There are numerous little touches which really sell the experience, like the differing amount of snowfall on the roofs of buildings or the way snow melts away when you plonk down a new steam hub. The lighting and particle effects are top notch too, making the city at night time a particularly pretty thing to look at. Honestly when I first saw this I wasn’t expecting such a visual marvel so hats off to the devs for that.
Frostpunk is a city building survival game with a bit of a twist: it’s scenario based. Unlike many other city building games, which are typically open ended with win conditions you can achieve at your own pace, Frostpunk sets out a goal for you to accomplish in a set amount of time. Whilst not every playthrough will be identical due to the RNG elements they will always play out the same, allowing you to get better at a particular scenario through multiple playthroughs (or through, you know, Google). For the first scenario, the only one which I completed, this means setting up a colony to survive in an ever increasingly cold environment. You’ll have to provide food, shelter, medicine and heat to everyone in your colony whilst also keeping a close eye on hope and discontent. This by itself would be challenging enough however the random events that occur will mean you’ll have to make some tough decisions about which direction your colony will take and what kind of leader you want to be.
Things start off relatively simple: you just need to keep everyone alive. The steady decline in temperature though will force you to start making some tough decisions early on and this will start to shape your path going forwards. Many of the early decisions are tough choices between doing the “right” thing and something that will greatly help in your colony’s survival. Of course survival isn’t everything and whilst you might be able to easily keep everyone alive you’ll quickly find yourself with an unhopeful lot of malcontents who want nothing more than to overthrow you. Herein likes the core challenge of Frostpunk: carefully balancing each part of the equation to ensure that everyone makes it through yet another day, including yourself.
The random events that you’ll uncover play into this mechanic as well, many of which will lay to waste any carefully laid plans you might have. For instance in my first mildly successful playthrough I did what any human being thinks they’d do in such a situation: I tried to save everyone. This saw my colony’s population double in a very short amount of time, putting an incredible amount of stress on the meagre reserves I had accumulated. This was further compounded by the unavoidable storm event which shut down all my food production and wreaked havoc on my coal production facilities. The end state was dozens of people dying every day due to starvation, cold and trying to save the coal mines from complete collapse. My choice of wanting to do the right thing by everyone ended up dooming them all to die and so began my next playthrough: the one where I prioritised survival of the few over the many.
This playthrough wasn’t without its challenges of course but armed with the knowledge I’d gain from failure I felt much better prepared. Indeed it was interesting to explore different options for solving the same problem like using coal thumpers instead of mines. This allowed me to have them right next to town with good heat coverage, vastly reducing the amount of sick people the mines generated. This also opened up a lot more space for me to build other ancillary services in, making expansion that much cheaper. Of course there were also some other things I did which I hadn’t considered before like building multiple research centers to speed up technological progress. The final path through the storm still wasn’t a cakewalk however, the generator only being able to sustain overdrive for maybe half of the duration (even with all the upgrades) but it was enough that I didn’t end up in the frozen starvation ridden hell I had created before.
Like most games in this genre Frostpunk will lay out a good set of basics for you but from there you’re on your own. The tech trees (including the law ones) offer up multiple ways of solving problems with many of the later ones making up for the questionable choices you may have made earlier on. At first glance some options look better than others, like the buildings that seem to produce more output per person than others, but in practice they might be anything but. Indeed my first playthrough that put tech supremacy over anything else was a dismal failure, forcing me to consider a different approach. In the end it seemed like a steady trek up the tech tree, focusing on upgrading current infrastructure first before pursuing new solutions, ended up being the most viable approach. I’m sure I could get another 2 or more playthroughs out of the first scenario alone by just exploring the number of options available.
The story of Frostpunk, whilst following a kind of set path, is mostly one you’ll craft yourself. Nearly all the choices you make will have a direct impact on how the game plays out, creating a narrative that will be uniquely your own. It’s one of those games which I think will make great discussion pieces for a long time to come as we regale each other with how we overcame each of the challenges the game presented to us. It is, however, an exhausting and bleak narrative which is why I haven’t been back to it after finishing the first scenario. I don’t regret my time with it at all but I’m certainly not foaming at the mouth to get back into it.
Frostpunk is a harsh, unforgiving experience that rewards players who experiment, fail and try again. Its gorgeous art direction brought to us by 11 bit Studios own in house Liquid Engine was a surprise delight, something I certainly wasn’t expecting from a game like this. The game mechanics, which are deeply intertwined with the narrative elements, makes for a confronting affair; challenging you to make decisions that will be difficult to live with. Like many similar games though it’s an exhausting experience, one that will keep drawing you back but is easy to close the lid on once you’ve achieved victory. Frostpunk then goes down as one of my surprise delights for the 2018 gaming year, providing a great bit of distraction between the AAA release storms.
Frostpunk is available on PC right now for $29.99. Total play time was 7 hours with 22% of the achievements unlocked.
I’ve started to grow rather fond of these little city simulation games, each of them bringing a different bent on the same genre. Looking back over my gaming history it seems to have started with Anno 2070, a game I never would have played if it wasn’t for a gentle prodding from a good friend of mine. Since then I’ve played quite a few of them (even an Early Access one, breaking my rule!), usually getting to my first victory until I moved onto greener pastures. It’s rare that one manages to bore me into not wanting to play again which is unfortunately what Surviving Mars managed to do.
The premise of the game is simple enough, you’re part of a mission to establish a colony on Mars. You’re given a base set of infrastructure, a truckload of cash and a set amount of time to build the colony up to a respectable level. Mars isn’t a particularly hospitable place though, devoid of much of the resources that you’ll need to keep your humans alive and happy. At the same time you’re still at the behest of your supporters who are keen to exploit the natural resources of this yet untapped world.
Now I’ve never played any of the Tropico series or other titles that Haemimont Games is known for so I don’t have much of a baseline to compare it to. On first glance I thought it had a little bit of that Unity engine feel to it but they apparently have their own, custom built engine which was upgraded for Surviving Mars. It has a similar visual style to that of Cities Skylines with heavily stylized visuals including simple textures and bright colours. There are some cool bits of visual flair like vehicles, buildings and infrastructure all getting dusty after being around for a set period of time. Whilst the simple visuals are necessary, due to the game’s heavy simulation load and potential for a lot of items on screen, they’re certainly not one of the game’s negatives. I only wish the game gave you a little more reason to enjoy them up close (more on that later).
Surviving Mars is a colony building simulator with all the essentials you’d expect from such a game. You’ll be given a starting location and a set of infrastructure to get you started but beyond that you’re left on your own. Initially you’ll just be commanding a drone army, one that needs little more than a stable power source to survive the harsh martian terrain. You’ll use that to build up the minimum set of infrastructure required to start bringing humans down which in turn leads onto bigger and better things. Along the way you’ll research new tech, explore new terrain and grow your colony further. Your win condition will depend on which nation you align yourself to and it could be something as simple as reaching a colony of 200, building multiple domes or researching enough tech. There’s certainly a lot to do and, in true simulation fashion, it may take some time to get to the next thing you want to do. For some that’s part of the charm but unfortunately, for this writer, it was what ended up killing it.
Getting started in Surviving Mars is a bit of a struggle as even the quick game option doesn’t really give you a lot of direction to start off with. It gives you a few basic instructions here and there but unlike other simulation games, which usually give you a simple mission which will help you establish a basic colony, Surviving Mars does no such thing. This leads to maybe an hour or two of screwing around to figure out what you should do, in what order and what each of the mechanics is best used for. I believe this is intended, mostly to keep some mechanics a bit vague in order to generate those desperate moments when you forget to do something and suddenly your colonists are running out of food or something. Whilst I’m all for emergent gameplay elements like that, indeed one of my favourite stories is trapping all my colonists inside their first dome in Planetbase with no oxygen and no power to get out, forcing them takes away much of their charm. Still most of them are easy to avoid even though there’s no base overview panel or similar to keep a track on all the colony’s key stats.
Building up your colony can be done relatively swiftly if you make good use of the resupply mechanic, allowing you to spend capital to get resources from Earth. The limiting factor there will be your research however as the small domes you get at the start are too small to be useful. Making you colony self sustainable is quite the challenge as the specialised buildings you’ll need to fabricate the different resources (like polymers, electronics and machine parts) all require specialised facilities, most only built inside domes, and the requisite resources. Both of those will require colonists and the greater the number and mix of them you have the harder it will be to ensure they all have everything they want. This is somewhat easier in the later stages of the game when you have access to bigger domes of course but it does mean that the first few hours of a game are usually a bit of a struggle. From there though it starts to drag a bit as you get into a repetitive cycle of: ordering new resources from Earth, expanding as much as you can, waiting for some tech to research and repeating until you’ve had enough.
Indeed that’s what killed it for me in the end. I was definitely making progress but I still didn’t have a fully, self sufficient colony that I could depend upon whilst I focused on the higher order things. I did have domes producing each of the resources but the rate at which they did was so slow it was barely enough to keep everything going. So instead I’d be focused on the resource depots (since there’s no page to say you have X units of metal or anything), figuring out what I needed where, ordering enough from Earth and then ensuring they all got transited to the right places. Strangely it feels a lot like one of Paradox’s other games, Stellaris, where you end up getting bogged down in the minutiae of running everything rather than having fun with the big picture.
A lot of this is born out of the lack of quality of life features that would make the game a lot more fun. For example drones have no idea about anything outside of their control zones, meaning that if there’s resources in one zone that are needed in another (even if those zones overlap) they will never get transported there. This makes setting up new areas a real chore as you have to manually transport everything there. The lack of a colony health or overview page makes checking up on resources a real pain with the only indication of a problem being the alerts when things are on the brink of disaster. Worse still the normal notifications like “We have an oxygen shortage” are usually inaccurate, actually meaning that a dome you just built (that doesn’t have people in it yet) hasn’t been connected yet. The research trees are hidden unless you discover it in an anomaly or research up the tree which means there’s no driving motivator to push you along one path or the other. Also there’s no drag to select a bunch of units, a real pain when you want to reallocate a bunch of drones between zones.
All of these things, combined with the dreadfully slow pace of research in the early game, make it really hard to keep going past a certain point. Some of Surviving Mars’ negatives are easy enough to deal with, like the lack of tutorials or quality of life mechanics, but when it takes so long to do so little with so much effort I just end up getting bored. It’s a shame as there’s obviously a good amount of mechanical depth in Surviving Mars but at 6 hours play time I felt like I had been playing for 30. I didn’t even get to check out the “individually simulated” colonists, not that I think that would’ve made much of a difference in anything.
Surviving Mars is a game that feels like it left beta just a little bit too early. The core tenants of what the developer wanted to achieve are there, a colony simulator with a Mars bent, but the things that would make the game actually enjoyable to a wider audience are missing. Perhaps this is par for the course with the developer and the game is perfectly built for their fans, I wouldn’t know as this is the first title I’ve played from them. Still considering their pedigree I had higher expectations for what would amount to their 9th game in the genre. Given that the game has mod support and DLC to come it’s entirely possible that these issues will go away in due time but that wouldn’t be enough for me to recommend the game as it is now.
Surviving Mars is available on PC, PlayStation 4 and Xbox One right now for $39.99. Game was played on the PC with a total of 6 hours playtime and 12% of the achievements unlocked.
The RTS genre, once the king of all PC games, has been relegated to the sidelines for the past decade or so. You’ll still see its roots in the new genres that it spawned, like the MOBAs and Tower Defense games that are now ubiquitous, but an honest to goodness RTS is few and far between. Indeed the last true RTS I reviewed was almost 2 years ago now and since then there hasn’t been anything that has caught my fancy. However that changed when They Are Billions caught my eye when it popped up as one of the top games in my State of the Game post series. Now I typically steer clear of Early Access titles, reviewing before 1.0 always feels a little premature, but given that the hubbub surrounding the game didn’t seem to be dying down I figured it was probably worth a look in.
17 hours later I can report that it is, even if it still has the rough edges that comes with Early Access.
They Are Billions is set in the distant future where a great zombie apocalypse has destroyed almost all of civilisation, leaving but a few thousand behind. Your job is simple: survive 100 days in this world by building up a colony that can withstand the raging hordes of zombies that will come after you. To do so you’ll need to gather food for your workers, gather materials to build defenses and buildings, and train an army to fend off the dead. It all sounds easy right? Everything does until there’s a horde of zombies kicking in your door.
The game’s visual steampunk aesthetic has a slight dream like feel to it, I think partially due to the fact that it’s all hand drawn and animated. Make no mistake though the hand drawn part doesn’t mean a lack of detail as you can zoom in ludicrously close if you want to try and pixel peep on your units. The engine powering it is a custom one developed by Numantian Games and is apparently capable of handling quite a lot of units on-screen. Certainly the game didn’t miss a beat on my PC, handling the larger zombie invasions without breaking a sweat. Those hoping for Linux and OSX versions will be disappointed though as it’s a .NET based engine and the developers aren’t particularly interested in trying to optimise it for those platforms in the near term. For us of the Windows PC master race however we can get this in up to glorious 4K resolution, if that’s your thing.
They Are Billions is a combination of RTS, city building and roguelike game elements. The game takes place in real time and the base building, whilst comparable to your typical RTS affair, feels a lot closer to city builders like Banished than it would a true RTS. The roguelike elements come mostly from the random map generation which, depending on what seed you get, can make your life incredibly easy or frustratingly hard. Of course there’s nothing stopping you from playing a map for 5 minutes, seeing what you’ve got to work with and restarting if you don’t like what you see. There’s upgrades to be researched, tech trees to unlock and various different types of army units all of which have their own set of advantages and disadvantages. All in all it’s a pretty competent RTS, something I didn’t expect given the fact it’s PVE only.
The game currently has no tutorial to speak of so after selecting your map preferences (more on that later) you’ll be dropped unceremoniously into a game with a command center, 5 troops and a whole lot of questions. The basics are relatively easy to figure out: there’s primary resource categories like wood and stone, secondary resources like workers and food and the ultimate limiting factor: gold. Anything you build will draw from all 3 of these resource pools and different tiers will have different requirements. Bases have a power grid which can be extended through the use of Tesla Towers which limits where you can build things (even unpowered defenses, for some reason). This usually means that you’ll be able to expand aggressively up until a point where you’re short of a critical resource. It’s at that point you have to figure out what you need and whether or not your current territory can provide it. If not you need to expand and thus you must venture forth into the unknown.
Here is where the game sets out its first challenge for you. The map is littered with zombies, some by themselves and others in groups. Some of them wander around and, when you’re unlucky enough, one of them will stumble into your colony. If you’ve got some defenses around you’ll know but often it’s not possible to have every approach guarded or fenced off. So the first dozen or so games are likely to end in tragedy because a single zombie got through, managed to infect one tent or other structure and the infected multiplied out of control from there. If you’re also unlucky enough to stumble across one of the zombie towns (which look like theme parks for some reason) you could also unwittingly bring a horde of zombies down on yourself with your only hope being that they stop chasing you once you’re out of vision range. This by itself would provide enough challenge to keep most players interested for a good while but They Are Billions doesn’t stop there.
Oh sweet jesus it doesn’t stop there.
Every 10 days or so you’ll be treated to a wave of infected coming at you from an area of the map (north/east/south/west). It’s up to you to guess which side of your colony they end up on and you’ll have a limited amount of time to ready your defenses before they get there. The first few waves can be easily dealt with by your original troops and a wood wall but the numbers get exponentially larger from there. The size of these hordes can be changed by a setting when you set up the map (as can be the number of zombies that are scattered around) but even then if you misjudge where they’re coming from or don’t have the proper defenses in place when they get there it can be all over quicker than you’d think. Indeed several of my games ended because the horde figured out that one section, even though it was a much longer route to get to, was much less defended than my other parts and blasted through my woeful defenses. I’m sure the waves get absolutely terrifying beyond the 70 day mark but I honestly couldn’t tell you because I never got there.
I did eventually manage to get a good strategy in place but the problem is that, in order to endure the later waves, you must expand in order to tech up sufficiently. This increases your attack surface and thus, the more defenses required to keep it in check. There is, of course, an equilibrium point but I only managed to reach that after numerous failed games and several difficulty notches down from the standard. It was at this point where I started to grow tired of the game and decided to leave it at that. Honestly with 17+ hours in the game I don’t think that’s a bad thing, indeed I’ve put down higher budget titles much quicker and for less than what They Are Billions has done to me. I guess I want to mention that to say that whilst there is a lot of replayability here it’s not infinite and the rough edges of Early Access are likely to start wearing on you after a while.
Those rough edges are quite numerous too. Army management is a chore as the hitboxes on the zombies are so small that trying to micro units is a complete waste of time. Similarly upgrading buildings with hot keys will sometimes work, sometimes it won’t which means its usually quicker to just click to make sure that it will work. Double clicking units and buildings will select all of those types of units, even those out of your current vision range. This can be problematic when you’re trying to say, upgrade a wall before a horde as you could inadvertently end up selecting all the walls and upgrading the ones on the other side of the map. Crashes aren’t common thankfully but alt-tabbing did cause it to lock up on occasion and I did have it refuse to start a game sometimes for whatever reason. Finally the pathfinding on units is so bad that you’ll often find groups of your own units getting stuck on each other, soldiers getting stuck in zombie hordes that they can navigate around or even units deciding to take the most absolutely absurd path to get to where you directed them to. This wouldn’t be so much of an issue if you could queue up move orders but that doesn’t seem possible currently (this also impacts patrols, which can only have 2 points currently). Of course these are the kinds of things that you expect to see in an Early Access title, and I’m sure they’ll be made better over time, but if you’re thinking about diving in now caveat emptor.
They Are Billions brings a new experience in the RTS genre that I don’t think anyone was expecting. The combination of RTS, city building and roguelike elements blend together into an experience which has quite a lot of replay value in it. I certainly didn’t set out to spend as much time in it as I did and so there definitely is something there that many will enjoy. The Early Access tag is well earned given the numerous issues that need to be ironed out, including content related things like a tutorial and the inclusion of a campaign. In its current form though They Are Billions is definitely worth it for those who, like me, have been craving a new RTS experience but have been left wanting by the offerings that have come to the table over the past couple years.
They Are Billions is available on PC right now for $24.99. Total play time was 17.4 hours with 6% of the achievements unlocked. Game was played during Early Access.
The survival genre and I have never really gotten along. I can appreciate the challenge you can create out of just existing but for me these kinds of games just never satisfied me. The act of survival is typically one of repetitive tasks and if I wanted to do that I’d go back to playing MMORPGs. Still enough people in my gaming circle had said that The Long Dark’s story mode, Wintermute, was worth the look in, with many comparing it to Firewatch. I’ll have to strongly disagree that the experiences are comparable but, at the very least, it’s reaffirmed my aversion to this genre.
Set in the present day The Long Dark takes place after a great “geomagnetic disaster” which wiped out the power grid for many. You play as Will Mackenzie, a pilot who services many of the remote towns in the Canadian wilderness. After a brief reunion with Astrid, his ex-wife, you agree to take her to where she needs to go without asking too many questions. On the way there however you hit rough whether and your plane comes crashing down long before reaching its destination. Stranded in the isolated wilderness you have to survive and, if you can, try to find Astrid before its too late.
Aesthetically The Long Dark opts for stylized/cartoony visuals much like that of Firewatch and games from Telltale. This does mean that the visuals are relatively simple and uncluttered, something which is a blessing when you’re scrounging around for things to help you survive. Interior buildings are a bit more detailed but then it’s more clutter than anything, which can make scavenging buildings a little more challenging. Fitting in with the simple visual theme is the lack of in-game physics on a lot of things, something which I think many of us have simply grown accustomed to seeing everywhere. Back when The Long Dark was first released I’m sure this visual style would have been quite impressive however, this being 2017, they do seem a little dated. I don’t expect that to change though.
Given The Long Dark’s 3 or so years in Early Access the survival game play is quite well developed. You’ve got a number of attributes that you need to keep up including food, water, heat and sleep. At any time you could be affected by any number of conditions ranging from things like food poisoning to wolf bites to good old fashioned hypothermia. Should you not manage your attributes properly your “condition” will start to deteriorate and, should it reach zero, you will pass into the long dark. Everything you need is available in the wilderness but it won’t be easy and you’ll have to make sure that you can survive long enough so you can…keep on surviving. This is all happening whilst you’re following the story line which, for the first hour or so, serves as an extended tutorial of sorts. Past there it becomes somewhat optional, although following it does have its benefits.
Just like in real life the business of just plain surviving in The Long Dark isn’t exactly a pleasant one. You’ll find yourself doing the same basic tasks time after time just to make sure you have a fire that will last, enough food to not starve and a small stash of emergency supplies should you fall down or get attacked by wolves (or worse). It’s these kinds of activities that turn me off these kinds of survival/sandbox simulators as I’m really not interested in having to gather firewood for the hundredth time or trying haphazardly to hit a rabbit with a rock so I won’t starve. Additionally, and I’m not sure if this was a limitation of the story mode, it seemed like I didn’t have a lot of options to improve my ability to survive beyond scavenging. Certainly the crafting menu was never populated with any beyond some simple things, despite me finding all sorts of materials.
Credit where it’s due though as the game really does a great job of simulating all the various things that drastically alter your chances of surviving. It didn’t take me too long to realise that venturing out at night was a fools errand, especially if I didn’t have a torch in my hand. I learnt this after following what I thought was a road for some time, only to find out it was a path to literally no where. Trudging along the same path during the day I could see where I went wrong and it became all too clear how easy it would be to get lost in the dark in bad weather. From there on I’d often spend just as much time indoors waiting out the time so I didn’t have to expend a ton of resources just to stay alive out in the night.
The Long Dark’s story starts off well however as the time between major events starts to draw out I started to become disinterested in it. The longest part of the story arc that I played (which is Episode 1, I gather) consisted mostly of fetch quests for a NPC, something which I’m not the biggest fan of even in the MMORPG genre. This means that the main story kind of stalls at this point and the ultimate conclusion to it doesn’t feel particularly satisfying at all. Firewatch by comparison had great pacing for both the main arc and the sub-plots ensuring that you always felt like whatever you were doing was leading somewhere. The Long Dark, at least in its first 4 hours, doesn’t have that and I’m not enough of a fan of the survival genre to forget that.
The Long Dark’s time in Early Access has resulted in a well crafted game but it’s unfortunately just not for me. I can appreciate the simplistic aesthetic it’s going for, especially when it produces something as gorgeous as the screenshot above, but it is erring on the dated side now. The survival mechanics are deep, requiring a lot of effort on the part of the player to make sure your character doesn’t simply freeze to death on the first day. The story’s strong opening fades relatively quickly and, should you not enjoy survival games as a rule, there won’t be much else to carry it on past the first few hours. Overall I can appreciate the craftsmanship of The Long Dark but it’s simply not a game for the likes of me, but it could very well be for you.
The Long Dark is available on PC, Xbox One and PlayStation 4 right now for $34.99. Game was played on the PC with a total of 4 hours playtime and 10% of the achievements unlocked.
There’s almost no need to introduce No Man’s Sky, the game that was catapulted to stardom the second its concept trailers hit the Internet. The fervour surrounding it is easy to understand as it taps into that oh-so-popular survival genre that Early Access games are known for whilst upping the stakes significantly, giving you an entire universe to explore and play in. I had long been wanting a game that did full, proper space exploration for some time and so was sold on the concept early on. Then I do what I usually do, ignore any news of the game until it finally gets released and then play it with no expectations.
It seems that I might be the only person on the Internet who’s done that.
The game that No Man’s Sky teases you with is one of infinite adventure. There are quintillions (literally) of worlds to explore, each with their own unique flora and fauna. You are The Traveller, an explorer who finds themselves wrecked on a planet far from the galactic core. For some reason you’re drawn there, wanting to make your way to the centre to see what awaits you there. However it doesn’t take long for that plan to go off the rails with various threats, distractions and curiosities getting in your way. How you journey through the galaxy is up to you though and the stories you create will be yours and yours alone.
No Man’s Sky isn’t exactly the most high fidelity game out there but that’s likely due to its procedural origins. Initially my system appeared to struggle with it, the not-so-great graphics seemingly able to bring my beast to its knees. As it turns out No Man’s Sky, for some inexplicable reason, caps your FPS at 30 on PC by default. Changing that and maxing out the settings made for a much better looking and running game. The visuals themselves are passable, better than what I’ve come to expect from most games in the genre but falling short of some of the stunning masterpieces I’ve played of late. No Man’s Sky does manage to produce some screenshot worthy moments but most of the time you’ll be in an endless expanse of more of the same. This is par for the course with procedural generation as sure, you get a lot of variations, but those variations are often not that far away from each other.
No Man’s Sky is a survival exploration game on a galactic scale. Initially you’ll travel around your spaceship, looking for the parts you need to fix it. Then you’ll travel between planets, searching out different kinds of wildlife, plants and resources. Finally you’ll be able to travel between systems, each of which has its own set of unique features. When you’re planet side you’ll spend most of your time exploring the landscape, mining for minerals and cataloguing the various plants and animals you come across. When you launch into space you can trade with alien races, mine asteroids and engage in space based combat. You’ll also be presented with a few story related choices along the way: either you journey to the centre of the galaxy or you’ll follow the Atlas path. I couldn’t tell you how either of them pan out however as I gave up long before I reached the end but if you’re a die hard survival exploration fan there’s more than enough to keep you going here for quite some time.
Exploration typically takes the form of landing somewhere on a planet, checking out what minerals are common and then cataloguing the various bits of wildlife if you’re so inclined. Initially it’s amazing to see the variety in this game, from the different wildlife, planets and alien races that you come across. However it quickly starts to become repetitive after you’ve visited a dozen planets or so as many of the basic things are the same (like the habitats the aliens use) and the procedural components start to become obvious. Still for a long time I was still motivated to follow the Atlas path as that seemed genuinely interesting. However there are, of course, barriers to your progression and that’s when you’ll start looking around for upgrades.
Like many I began farming resources in order to earn the cash required to upgrade my ship, something that takes quite a bit of time if you do it the “legit” way. After getting frustrated with my progress I took to the Internet and found there was numerous ways to get ship upgrades without paying for them. Indeed this way was also one of the best ways to get rare materials for crafting so I spent a couple hours churning through ships. I tried to do the same with my multitool but, for one reason or another, RNGjesus simply didn’t smile on me and I maxed out at a 10 slot tool after numerous hours. This is eventually what ended up killing No Man’s Sky for me as I just couldn’t be bothered trying to farm the required upgrades to get to the next point. At least with the ships I felt like I was making some slow progress.
The combat, both ground and space based, is barely worth talking about. Your multi-tool is more than capable of taking out most foes with just the mining laser with the combat upgrades just making the process slightly faster. Space combat is janky at best as the flight model just doesn’t feel right. Even with a bunch of upgrades my weaponry didn’t feel anymore effective, probably because I seemed to get matched up against more foes to compensate for it. Since there’s really no penalty for death (if you can get your grave back, which you always can) it’s usually better to just die instead of trying to fight anymore than a couple foes. It’s a shame really as that would’ve been a great progression mechanic, one that I might’ve stuck around for if it was any good.
No Man’s Sky is riddled with the issues that comes with procedural generation, namely all the edge cases which you simply can’t account for until people start encountering them. I’ve come across buildings that were embedded in mountains, inaccessible unless you had a good supply of grenades handy to blast your way in. Falling through the world is quite possible and easily doable if you land in a semi-awkward position. Similarly the physics engine sometimes freaks out if you clip terrain in a certain way, flinging you away with enough speed for the game to think you’ve engaged the pulse engines. There was also a couple times my frame rate dropped to slideshow levels which I could only attribute to some poorly optimised particle effects which were thankfully gone when I reloaded my last save. I’m sure some of the more egregious issues have been fixed in the weeks since I finished playing No Man’s Sky but they certainly did nothing to endear it to me.
No Man’s Sky strives to inspire a feeling of awe in you through the act of exploration. The base game does a good job of that however the ancillary plot, where The Traveller tells you that its feeling awe, is less convincing. Since there’s not a lot of build up as to why you’re trying to get to the centre (or follow the Atlas path) it’s hard to empathise with The Traveller’s varying emotions. I honestly wasn’t expecting much though, this is a procedurally generated game after all, but the disjoint between the potential of the emergent stories versus the curated plot was somewhat jarring.
Now whilst I may have avoided the hype I’m not ignorant to the controversy that’s surrounded the release of No Man’s Sky and I do believe it merits addressing. As a standalone game No Man’s Sky is a good, but not great, title that I’m sure would appeal to certain niche. Not knowing of potential features I felt no loss at them not being there and so harbour no ill will for Hello Games. Indeed I feel like we, the gaming community, need to temper our expectations for any game lest we set ourselves up for Molyneux levels of disappointment. Sure Sony and Hello Games are partly to blame for this, whipping the community into a frenzy with teasers and interviews and whatnot, but we gamers are better than that. We’ve all been here before, with promises of games that would redefine genres or push them to new heights, only to be disappointed when the reality did not meet our expectations. If No Man’s Sky was released on Steam Greenlight for $30 and spent the next 2 years in Early Access no one would be shouting “BROKEN PROMISES” as loudly, yet because it had a full release it seems everyone feels entitled to voicing just how angry they are.
TL:DR, stop getting so hyped. It never works out how you’d expect it to.
Good but not great is the tagline I’d go with to sum up my experience with No Man’s Sky. I know of a few friends who’d love it as they’ve sunk many hours into similar games like Terraria or The Forest. For others, like me, it was an interesting aside but quickly became repetitive and so I left it behind. This isn’t unusual, indeed there have been many higher budget games which I’ve done the same with, and shouldn’t count against it if the concept interests you. Even looking back, after getting burned by the grind/upgrade cycle, I still think it’s worth playing, even if it’s just to see a few different planets and systems before it gets shelved. That might not be worth the asking price for you but that’s not a judgement I’ll make for everyone. For me, someone who got 15 hours of game time out of it, No Man’s Sky was worth it, even if I may never go back to it again.
No Man’s Sky is available on PC and PlayStation 4 right now for $59.99 and $99.95 respectively. Game was played on the PC with 15 hours of total play time and 45% of the achievements unlocked.
For some reason the gaming community has thrived on titles that are, for want of a better word, incredibly brutal. The trend started to take root after the first Dark Souls game which prided itself on not holding the players hand, nor caring if it proved too difficult to be enjoyable. On first look such games were the antithesis to the base ethos of games: that they be fun above all else. However such games, when played well, provide a sense of satisfaction beyond those who are perhaps a little more forgiving. Planetbase is a city building game in this vein, putting you in control of an offworld colony which, if managed incorrectly, will have dire consequences.
You are the invisible hand that will guide these colonists to establishing a viable colony. Upon landing on your planet of choice, with your colony ship full of resources and a handful of aspiring colonists, it’s up to you to give them everything they’ll need to survive. In the beginning their needs are simple, oxygen and water being all you’ll need to make it through the first night, but after that you must find a way to provide them everything they need. Like all closed ecosystems though these things need to be created in balance and should that not be done you will quickly find yourself facing catastrophe. Will you be the leader that leads your colony to success? Or will you become the agent of their destruction?
Planetbase has that Unity-esque feeling that most games developed on the engine have. It’s hard to quantify exactly what it is but like Flash games before them they all seem to share a similar visual style that became something of a trademark. This is especially true for Planetbase which feels like the colonist version of Kerbal Space Program. The simple visual style is partly due to performance reasons, something which could become a concern with larger bases. The visual simplicity also helps a lot with making sure you can keep track of your base layout, something which becomes increasingly difficult as your base grows. Overall, whilst Planetbase won’t win any awards for its graphics, they are far more than sufficient and are perfectly suited to the type of game that it is.
Your goal in Planetbase is simple: you have to build a self-sustaining colony on a new world. As you click your way through the tutorial this seems rather easy, there’s a logical progression to the structures you need to build in order to satisfy the growing needs of your colonists. However once you’re in the real game it’s easy to forget a critical step which leads to the untimely demise of your entire colony (like the above screenshot, taken not 5 minutes into my first game, can attest to). Like all city building games there’s numerous resources that you need to collect, create and manage in order to ensure that everyone in the colony has everything they need. A lack of resources in one place ultimately leads to issues in other areas of your colony and, without proper treatment, life ending consequences. The game may warn you of your impending doom every so often but that can often come too late, the alarm bell serving only to inform you of the inevitable.
Getting through your first night sounds like an easy enough challenge but it’s one that’s incredibly easy to get wrong. Should you fail to build your power array and storage too late you won’t have enough to make it through the night. If you forget to build your water extractor you won’t be able to generate enough oxygen, asphyxiating everyone before they have a chance to build the life saving solution. Thankfully once you’ve figured out these challenges (which are all addressed well enough in the tutorial) surviving the first night becomes child’s play, but the game past that point still provides a significant challenge.
Past the first night your goals turn towards building all the components you’ll need for self sufficiency and that means generating many of the required resources yourself. The first two major ones you’ll need to create are metal and bioplastic which allow you to create all the structures you’ll need. For most players metal is the first roadblock that they’ll encounter as it’s the first thing you run out of and one of the harder ones to produce. There are several strategies to deal with this (and I’ll talk about my approach a bit later) however it’s likely to be the main resource which keeps you back for a long time. Once you’ve got a production line of these two resources going the pace of the game slows down significantly as you look towards planning your future expansions.
Typically the next issue most people run into is food as your colony gains more and more people. What was interesting about this though is how many factors can influence the simple problem of not having enough food for everyone and every single one can mean people start going hungry. Not enough biologists to tend to the plants? They won’t make enough food. Not enough mealmakers in the canteen? People will have to wait for meals and there might not be enough to go around. Didn’t monitor the number of colonists you have? Keeping the landing pad open to colonists constantly might not be the greatest idea as your food production might simply be unable to cope. It took me a good 3 hours to get food working sustainably and even then it wasn’t the most efficient process.
Indeed if you really want to succeed at building a colony then you have to start thinking in much broader terms from the very get go. Whilst the smaller structures are far cheaper and quicker to construct they are by and large incredibly inefficient. The greatest example of this is the biodome with the smallest one only allowing you a third of the number of plants of the largest but costing far more in relative terms. This means that, if building a big colony is your goal, you’ll have judge which buildings to build big right off the bat and which to hold off on. For me it took a good 6 hours of play time before I reached this point and that’s when I was able to finally build a colony that wasn’t always at the brink of disaster.
Once you’ve got that all sorted then the final challenge you’ll face is getting the layout of your base right. Whilst this isn’t as impactful as the other resource challenges I’ve mentioned before it is something you’ll need to consider as your base grows in size. Placement of things like oxygen generators, processing plants and high traffic areas like bunks and canteens can radically impact the efficiency of a single colonist. If you get the layout wrong most of the time it just means progress is a lot slower than it can be but can sometimes lead to base destroying issues. One of the best examples I had of this was having one of my bunkers too far away from an oxygen generator which, when it got full at night when people went to sleep, meant that it ran out of oxygen.
Despite all these challenges though Planetbase managed to grip me in a way that few games have, tapping into that part of my brain that needs to know how this complicated system works so I can exploit it. Indeed whilst it took me 8 hours to reach 100 colonists I barely realised I had spent that much time in it, forgetting myself for hours at a time whilst I watched my little puppets go about their daily lives. There were some frustrating moments of course but they are the kinds of stories these games thrive on, those moments where a lapse in concentration or missing component ends up having unintended consequences. It may not be for everyone (unless a brutal version of Sim City is your cup of tea) but for those of us that thrive on challenges like this it’s definitely worth playing.
Planetbase is available on PC right now for $19.99. Total play time was approximately 8 hours with 25% of the achievements unlocked.